<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6980379604387963547</id><updated>2012-02-12T13:44:08.719-07:00</updated><category term='articles'/><category term='Cairo'/><category term='Egypt'/><category term='map application'/><category term='sea'/><category term='youth art program'/><category term='virtual travel'/><category term='books'/><category term='community garden'/><category term='death'/><category term='art'/><category term='mla11'/><category term='essays'/><category term='home'/><category term='sustainability'/><category term='animal rights'/><category term='audio'/><category term='annotated links'/><category term='geopolitics'/><category term='youth'/><category term='virtual tour'/><category term='provinces'/><category term='ESL'/><category term='cities'/><category term='slow food'/><category term='Hispanic cuture'/><category term='gone but not forgotten'/><category term='APROSIFA'/><category term='Facebook'/><category term='Omnivore'/><category term='blogs'/><category term='PLN'/><category term='book reviews'/><category term='reading'/><category term='cityspace'/><category term='agriculture'/><category term='places'/><category term='sign and sight'/><category term='ESL project'/><category term='AUC'/><category term='lost causes'/><category term='culture'/><category term='Book Forum'/><category term='tourism'/><category term='dead end ideas'/><category term='rural'/><category term='citylit'/><category term='L.A.'/><category term='links'/><category term='Google'/><category term='elearning tool'/><category term='learning resource'/><category term='Alexandria'/><category term='literature'/><category term='Tahrir'/><category term='urban'/><category term='revolt'/><category term='energy'/><category term='city'/><category term='sense of place'/><category term='contemporary Spain'/><category term='novelists'/><category term='iCreate mission'/><category term='Spain'/><category term='edtech'/><category term='Farmers Market'/><category term='presentation tool'/><category term='history'/><category term='marketing'/><category term='obsolescence'/><category term='Haiti'/><category term='maps'/><category term='blogging'/><category term='writing'/><category term='Europe'/><category term='painting'/><title type='text'>places along the way</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>30</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-8534927322458899885</id><published>2012-02-12T13:44:00.000-07:00</published><updated>2012-02-12T13:44:08.730-07:00</updated><title type='text'>Two Men at Dickens World</title><content type='html'>&lt;i&gt;flâneuse or places ... wicked choice. Paris, well then it would have to be &lt;a href="http://flaneusecontrariante.blogspot.com/"&gt;the contrary  flâneuse&lt;/a&gt;, but &lt;a href="http://charlesdickenspage.com/dickens_london.html"&gt;Dickens' London&lt;/a&gt;, although city and dss chapter, is not Paris and shares cityspace and &lt;a href="http://www.ucpress.edu/book.php?isbn=9780520212565"&gt;citylit&lt;/a&gt;. Space and lit places. The coin comes up for places along the way, a distinctly odd blog where &lt;a href="http://mountainair-online.net/"&gt;Mountainair&lt;/a&gt; rubs shoulders with world cities, real cities with imagined ones...&lt;/i&gt;&lt;br /&gt;&lt;div&gt;&lt;p&gt;Sam Anderson on Asad Raza in the &lt;em&gt;New York Times&lt;/em&gt;:&lt;/p&gt;&lt;p style="padding-left:30px"&gt;&lt;a href="http://www.3quarksdaily.com/.a/6a00d8341c562c53ef0163013deceb970d-popup" style="float:right"&gt;&lt;img alt="ScreenHunter_23 Feb. 12 11.40" border="0" src="http://www.3quarksdaily.com/.a/6a00d8341c562c53ef0163013deceb970d-800wi" style="margin:0px 0px 5px 5px;border:#000000 1px solid" title="ScreenHunter_23 Feb. 12 11.40" /&gt;&lt;/a&gt;A few words about Asad, who appears in the essay only as a shadowy figure: my anonymous "friend." In reality, he was a huge part of my trip: driver, companion, interpreter, guinea pig, canary in the coal mine. Asad and I met 10 years ago in grad school, where I found him to be so intimidatingly smart, so effortlessly fluent about esoteric subjects that I’d never even heard of, that I almost dropped out of the program after two weeks. I stuck with it, though, and eventually Asad and I became friends. He's still the most naturally critical person I know - not in the narrow sense of being negative about things, but in the large and exciting sense of taking things apart, analyzing them, concocting theories. Walking around with him feels like carrying a philosopher in your pocket.&lt;/p&gt;&lt;p style="padding-left:30px"&gt;Because we studied Dickens together at school, and because Asad lives in London now, it seemed only natural for me to bully him into coming to &lt;a href="http://www.dickensworld.co.uk/"&gt;Dickens World&lt;/a&gt;. He agreed and, true to form, kept up a brilliant running commentary about everything we saw.&lt;/p&gt;&lt;p style="padding-left:30px"&gt;In my favorite picture from the trip, Asad stands on top of a very high railing in order to peer ecstatically over the wall of Miss Havisham's garden, still discoursing.&lt;/p&gt;&lt;p style="padding-left:30px"&gt;Asad was on fire, interpretively, for the entire trip. Only Dickens World, it turned out, could make his critical motor grind to a halt. As soon as we entered the park, it was like he’d been shot by an arrow. You could feel the energy draining out of him.&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;a href="http://www.3quarksdaily.com/3quarksdaily/2012/02/two-men-at-dickens-world.html"&gt;Two Men at Dickens World&lt;/a&gt;. More &lt;a href="http://6thfloor.blogs.nytimes.com/2012/02/09/two-men-at-dickens-world/"&gt;here&lt;/a&gt;.&lt;/i&gt;&lt;/p&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-8534927322458899885?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/8534927322458899885/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2012/02/two-men-at-dickens-world.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8534927322458899885'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8534927322458899885'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2012/02/two-men-at-dickens-world.html' title='Two Men at Dickens World'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-7137651368773430695</id><published>2012-01-25T11:41:00.001-07:00</published><updated>2012-01-25T11:41:43.491-07:00</updated><title type='text'>Information is many places along the way</title><content type='html'>&lt;div style="color:#000; background-color:#fff; font-family:bookman old style, new york, times, serif;font-size:12pt"&gt;&lt;div&gt;&lt;table width="100%" cellspacing="0" cellpadding="0" border="0"&gt;&lt;tbody&gt;&lt;tr valign="center"&gt;&lt;td align="left" width="180" style="font-family: arial, sans-serif; "&gt;&lt;a href="http://www.youtube.com/" target="_blank" style="color: rgb(0, 0, 204); "&gt;&lt;img border="0" alt="YouTube" width="175" height="33" src="http://s.ytimg.com/yt/img/logo_tagline_small.gif" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; "&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="right" style="font-family: arial, sans-serif; "&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan="2" style="font-family: arial, sans-serif; padding-top: 10px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "&gt;&lt;div&gt;&lt;a href="http://www.youtube.com/user/UCBerkeley?feature=uploademail_ch" target="_blank" style="color:  rgb(0, 0, 204); "&gt;UCBerkeley&lt;/a&gt;&amp;nbsp;video:&lt;/div&gt;&lt;div style="margin-top: 15px; margin-right: 0px; margin-bottom: 0px; margin-left: 15px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; "&gt;&lt;div style="background-color: rgb(249, 249, 253); border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(204, 204, 255); border-right-color: rgb(204, 204, 255); border-bottom-color: rgb(204, 204, 255); border-left-color: rgb(204, 204, 255); border-image: initial; padding-top: 10px; padding-right: 10px; padding-bottom: 5px; padding-left: 10px; margin-bottom: 15px; "&gt;&lt;div style="float: left; margin-top: 0px;  margin-right: 10px; margin-bottom: 5px; margin-left: 0px; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(153, 153, 153); border-right-color: rgb(153, 153, 153); border-bottom-color: rgb(153, 153, 153); border-left-color: rgb(153, 153, 153); border-image: initial; width: 122px; "&gt;&lt;div style="border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(255, 255, 255); border-right-color: rgb(255, 255, 255); border-bottom-color: rgb(255, 255, 255); border-left-color: rgb(255, 255, 255); border-image: initial; min-height: 72px; overflow-x: hidden; overflow-y: hidden; width: 120px; background-color: rgb(255, 255, 255);  "&gt;&lt;a href="http://www.youtube.com/watch?v=TK5ZJ_JA_mA&amp;amp;feature=uploademail" target="_blank" style="color: rgb(0, 0, 204); "&gt;&lt;img src="http://i2.ytimg.com/vi/TK5ZJ_JA_mA/default.jpg" style="border-style: initial; border-color: initial; min-height: 90px; width: 120px; border-width: initial; border-color: initial; "&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-weight: bold; margin-bottom: 5px; "&gt;&lt;a href="http://www.youtube.com/watch?v=TK5ZJ_JA_mA&amp;amp;feature=uploademail" target="_blank" style="color: rgb(0, 0, 204); "&gt;Cognitive Science C103 - Lecture 3&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 5px; "&gt;History of Information&amp;nbsp;&lt;a href="http://www.youtube.com/watch?v=TK5ZJ_JA_mA&amp;amp;feature=uploademail" target="_blank" style="color: rgb(0, 0, 204); "&gt;More&lt;/a&gt;&lt;/div&gt;&lt;div style="clear: both; "&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-7137651368773430695?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/7137651368773430695/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2012/01/information-is-many-places-along-way.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/7137651368773430695'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/7137651368773430695'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2012/01/information-is-many-places-along-way.html' title='Information is many places along the way'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-6144669092184749630</id><published>2011-11-17T11:40:00.001-07:00</published><updated>2011-11-17T11:49:53.118-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='contemporary Spain'/><category scheme='http://www.blogger.com/atom/ns#' term='provinces'/><category scheme='http://www.blogger.com/atom/ns#' term='Omnivore'/><category scheme='http://www.blogger.com/atom/ns#' term='history'/><category scheme='http://www.blogger.com/atom/ns#' term='annotated links'/><category scheme='http://www.blogger.com/atom/ns#' term='Spain'/><category scheme='http://www.blogger.com/atom/ns#' term='articles'/><title type='text'>Remember Spain</title><content type='html'>&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;i&gt;Spain is definitely high on my personal "places along the way" list... read and experienced IRL...&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="LeftImage" style="display: inline; float: left; font-family: Arial, Helvetica, Verdana, sans-serif; line-height: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; text-align: left; width: auto;"&gt;&lt;div class="Image" id="anonymous_element_19" style="float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;&lt;img alt="" border="0" height="194" id="anonymous_element_20" src="http://www.bookforum.com/uploads/upload.000/id08648/article00.jpg" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="200" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id="anonymous_element_9" style="font-family: Georgia, 'Book Antiqua', Garamond, Palatino, 'Times New Roman', serif; line-height: 1.6em; margin-bottom: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;James R. Martel (SFSU):&amp;nbsp;&lt;a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1916833" style="border-bottom-color: rgb(188, 142, 174); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(188, 142, 174); border-left-width: 0px; border-right-color: rgb(188, 142, 174); border-right-width: 0px; border-top-color: rgb(188, 142, 174); border-top-width: 0px; color: #690f4e; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;What Equality Would Actually Look Like&lt;/a&gt;: Lessons from Anarchist Spain on Equality, Temporality and the Art of the Possible ....&amp;nbsp;The Genius of El Cid: How the&amp;nbsp;&lt;a href="http://www.historynet.com/the-genius-of-el-cid.htm" style="border-bottom-color: rgb(188, 142, 174); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(188, 142, 174); border-left-width: 0px; border-right-color: rgb(188, 142, 174); border-right-width: 0px; border-top-color: rgb(188, 142, 174); border-top-width: 0px; color: #690f4e; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Spanish superhero&lt;/a&gt;&amp;nbsp;— outnumbered and under siege — broke out of Valencia, crushed a Muslim army, and inspired Christian crusaders.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div id="anonymous_element_9" style="font-family: Georgia, 'Book Antiqua', Garamond, Palatino, 'Times New Roman', serif; line-height: 1.6em; margin-bottom: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;An interview with&amp;nbsp;&lt;a href="http://www.booksandideas.net/The-Iberian-American-Alphabet-of.html" style="border-bottom-color: rgb(188, 142, 174); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(188, 142, 174); border-left-width: 0px; border-right-color: rgb(188, 142, 174); border-right-width: 0px; border-top-color: rgb(188, 142, 174); border-top-width: 0px; color: #690f4e; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Javier Fernandez Sebastian&lt;/a&gt;&amp;nbsp;on the Ibero-american world as another political powerhouse for modernity during the Revolution Age, thanks to the analysis of the history of concepts in the English and Portuguese speaking Atlantic.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div id="anonymous_element_9" style="font-family: Georgia, 'Book Antiqua', Garamond, Palatino, 'Times New Roman', serif; line-height: 1.6em; margin-bottom: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;.... Many will remember&amp;nbsp;&lt;a href="http://iberosphere.com/2011/10/spain-news-how-history-will-judge-zapatero/3944" style="border-bottom-color: rgb(188, 142, 174); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(188, 142, 174); border-left-width: 0px; border-right-color: rgb(188, 142, 174); border-right-width: 0px; border-top-color: rgb(188, 142, 174); border-top-width: 0px; color: #690f4e; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Spain’s socialist prime minister&lt;/a&gt;&amp;nbsp;for his mishandling of the economic crisis, but his legacy in other areas — particularly social reform — is substantial.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div id="anonymous_element_9" style="font-family: Georgia, 'Book Antiqua', Garamond, Palatino, 'Times New Roman', serif; line-height: 1.6em; margin-bottom: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;From Books and Ideas, Jeanne Moisand on&amp;nbsp;&lt;a href="http://www.booksandideas.net/Protectionism-and-the-Birth-of.html" style="border-bottom-color: rgb(188, 142, 174); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(188, 142, 174); border-left-width: 0px; border-right-color: rgb(188, 142, 174); border-right-width: 0px; border-top-color: rgb(188, 142, 174); border-top-width: 0px; color: #690f4e; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;protectionism&lt;/a&gt;&amp;nbsp;and the birth of Catalanism .... A&amp;nbsp;&lt;a href="http://www.lpbr.net/2011/07/sovereignty-and-stateless-nation.html" style="border-bottom-color: rgb(188, 142, 174); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(188, 142, 174); border-left-width: 0px; border-right-color: rgb(188, 142, 174); border-right-width: 0px; border-top-color: rgb(188, 142, 174); border-top-width: 0px; color: #690f4e; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;review&lt;/a&gt;&amp;nbsp;of&amp;nbsp;&lt;i id="anonymous_element_13" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Sovereignty and the Stateless Nation: Gibraltar in the Modern Legal Context&lt;/i&gt;&amp;nbsp;by Keith Azopardi.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div id="anonymous_element_9" style="font-family: Georgia, 'Book Antiqua', Garamond, Palatino, 'Times New Roman', serif; line-height: 1.6em; margin-bottom: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="background-color: white;"&gt;.... Atlas Obscura visits the&amp;nbsp;&lt;a href="http://atlasobscura.com/place/laberinth-of-josep-pujiula" id="anonymous_element_10" style="border-bottom-color: rgb(188, 142, 174); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(188, 142, 174); border-left-width: 0px; border-right-color: rgb(188, 142, 174); border-right-width: 0px; border-top-color: rgb(188, 142, 174); border-top-width: 0px; color: #690f4e; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Josep Pujiula Labyrinth&lt;/a&gt;, a wonderland replication in progress by one persistent man.&lt;/span&gt;&lt;/div&gt;&lt;div id="anonymous_element_9" style="font-family: Georgia, 'Book Antiqua', Garamond, Palatino, 'Times New Roman', serif; line-height: 1.6em; margin-bottom: 20px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;i&gt;Read all of&amp;nbsp;&lt;a href="http://www.bookforum.com/blog/8648" target="_blank"&gt;Remember Spain&lt;/a&gt; at &lt;a href="http://www.bookforum.com/blog/" target="_blank"&gt;Omnivore&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-6144669092184749630?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/6144669092184749630/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/11/remember-spain.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6144669092184749630'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6144669092184749630'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/11/remember-spain.html' title='Remember Spain'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-2849814791134967920</id><published>2011-10-18T12:32:00.000-06:00</published><updated>2011-10-18T12:32:18.421-06:00</updated><title type='text'>On the Travelogue</title><content type='html'>&lt;img src="http://www.oldworldwandering.com/wp-content/uploads/Marco-Polo-Ibn-Batutta-map-travelogue.jpg" alt="A map of Marco Polo and Ibn Batutta's routes through the Old World" /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;The Significance of the Travelogue&lt;/b&gt;&lt;div&gt;&lt;br /&gt;&lt;i&gt;It seems as inevitable that voyaging should make men free in their minds as that settlement within a narrow horizon should make men timid and servile&lt;/i&gt;. HG Wells, 1922&lt;blockquote&gt;&lt;div&gt;The first men were wanderers and their lives, if brutish and short, were a journey too, marked by constant movement and discovery. Unsettled and unencumbered, early man explored the globe. He left Africa 70,000 years ago. Thirty thousand years later, he reached Australia, and by the time a new man – the farmer – was sowing the Fertile Crescent’s first crops, the wanderer was navigating the Amazon River in a dugout canoe.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;Agriculture brought settlement, cities and, six or seven thousand years ago, writing. Although man first wrote to keep account books, by 2600 BCE he was starting to inscribe his people’s tales in clay and stone, giving a stable, solid structure to narratives told loosely by earlier men. Writing made final what had been fluid before, which suited man’s new stability and the growing scale of his society, and like everybody who has sought a place in the world since, the first writers were primarily concerned with explaining their origins.&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;read the rest of &lt;a href="http://www.oldworldwandering.com/on-the-travelogue/"&gt;On the Travelogue at Old World Wandering: A Travelogue&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a style="font-size:13px" href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk"&gt;'via Blog this'&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-2849814791134967920?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/2849814791134967920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/10/on-travelogue.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/2849814791134967920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/2849814791134967920'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/10/on-travelogue.html' title='On the Travelogue'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-8524997742036245062</id><published>2011-09-08T10:28:00.001-06:00</published><updated>2011-09-08T11:16:57.076-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sign and sight'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='reading'/><title type='text'>Reading as an unrelenting vice</title><content type='html'>&lt;div&gt;&lt;i&gt;Books are places along the way just as reading is transportations as well as an unrelenting vice.  Bora &lt;/i&gt;&lt;i&gt;Cosic (an unfamiliar writer but one with whom I share reading habits and books and am now encouraged more like compelled to explore) writes about the reading practices of a number of writers, most if not all European, as well as interweaving comments about his own throughout.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;img height="200" src="http://t1.gstatic.com/images?q=tbn:ANd9GcQQLI8HnUZZ9t-JC0hMaN54qgEAd5KHYXaYAAolUvwLyL6S_x3JRBQ1QyEp" width="200" /&gt;&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;blockquote&gt;But I am not alone. I have read books that no one else has read, says &lt;a href="http://www.poets.org/poet.php/prmPID/334" style="color: #a60000; text-decoration: none;" target="_blank"&gt;Paul Valéry&lt;/a&gt;. Books from technical disciplines, these interest me. Balzac systematically read dictionaries, not specific entries but from start to finish, as if following a narrative. How many interesting things there are to read, which at first glance might seem irrelevant and meaningless. One woman expected Erasmus to write something that would help her husband get a grip on himself, tells Roland Barthes. Or as &lt;a href="http://www.dw-world.de/popups/popup_single_mediaplayer/0,,4801162_type_video_struct_10554_contentId_4801177,00.html" style="color: #a60000; text-decoration: none;" target="_blank"&gt;Claudio Magris&lt;/a&gt; mentions, &lt;a href="http://en.wikipedia.org/wiki/Raimondo_Montecuccoli" style="color: #a60000; text-decoration: none;" target="_blank"&gt;Montecuccoli&lt;/a&gt;&amp;nbsp;wrote his aphorisms on the art of war in a Stettin prison, during his hiatus from the Thirty Years War. Were I a poet, I would dedicate the most beautiful poem to roux soup, admits &lt;a href="http://hamvasbela.org/en/indexen.html" style="color: #a60000; text-decoration: none;" target="_blank"&gt;Bela Hamvas&lt;/a&gt;. "A Meditation Upon a Broomstick" is the title of an essay by Swift. I would give everything to find out what a German wrote about a lemon peel, as Rousseau says, what Erasmus wrote to bring a neurotic man to reason, or Montecuccoli's "Art of War".&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div style="text-align: center;"&gt;&lt;img height="200" src="http://1.bp.blogspot.com/-6OG-ncTGCOU/TabzhT0GwTI/AAAAAAAABNQ/ssdkM2GKwWo/s200/reading_medieval_-_2.jpg" width="173" /&gt;&amp;nbsp;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;Reading has only recently become a silent act. Two hundred years ago everyone read aloud. &lt;/blockquote&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.signandsight.com/features/2162.html"&gt;&lt;i&gt;Bora Cosic: My unrelenting vice (05/09/2011) in signandsight&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;"&gt;'via Blog this'&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-8524997742036245062?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/8524997742036245062/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/09/reading-as-unrelenting-vice.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8524997742036245062'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8524997742036245062'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/09/reading-as-unrelenting-vice.html' title='Reading as an unrelenting vice'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-6OG-ncTGCOU/TabzhT0GwTI/AAAAAAAABNQ/ssdkM2GKwWo/s72-c/reading_medieval_-_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-2059946924249229235</id><published>2011-08-27T21:56:00.000-06:00</published><updated>2011-08-27T21:56:17.443-06:00</updated><title type='text'>A List Apart: Articles: The Content Strategist as Digital Curator</title><content type='html'>&lt;div&gt;&lt;i&gt;That's what I've been doing in one form or another as long as I've been online, well ahead of the buzz . Recognition is past due but I hope it doesn't ruin the fun for me. &lt;/i&gt;&lt;/div&gt;&lt;blockquote&gt;The term “curate” is the interactive world’s new buzzword. During content creation and governance discussions, client pitches and creative brainstorms, I've watched this word gain traction at almost warp speed. As a transplant from museums and libraries into interactive media, I can't help but ask what is it about this word that deserves redefinition for the web?&lt;/blockquote&gt;&lt;div&gt;&lt;center&gt;&lt;img src="http://www.alistapart.com/d/content-strategist-as-digital-curator/content-curator.jpg" alt="Content Strategist as Digital Curator" /&gt;&lt;/center&gt;&lt;div&gt;&lt;blockquote&gt;Curation has a distinguished history in cultural institutions. In galleries and museums, &lt;a href="http://en.wikipedia.org/wiki/Curator" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-decoration: none; color: rgb(144, 102, 40); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(144, 102, 40); border-top-color: rgb(144, 102, 40); border-right-color: rgb(144, 102, 40); border-left-color: rgb(144, 102, 40); "&gt;curators&lt;/a&gt; use judgment and a refined sense of style to select and arrange art to create a narrative, evoke a response, and communicate a message. As the digital landscape becomes increasingly complex, and as businesses become ever more comfortable using the web to bring their product and audience closer, the techniques and principles of museum curatorship can inform how we create online experiences—particularly when we approach content.&lt;/blockquote&gt;&lt;/div&gt;&lt;i&gt;Read the rest of &lt;a href="http://www.alistapart.com/articles/content-strategist-as-digital-curator/"&gt;A List Apart: Articles: The Content Strategist as Digital Curator&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a style="font-size:13px" href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk"&gt;'via Blog this'&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-2059946924249229235?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/2059946924249229235/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/08/list-apart-articles-content-strategist.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/2059946924249229235'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/2059946924249229235'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/08/list-apart-articles-content-strategist.html' title='A List Apart: Articles: The Content Strategist as Digital Curator'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-5967151617149643280</id><published>2011-08-08T23:34:00.001-06:00</published><updated>2011-08-08T23:34:03.863-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='places'/><category scheme='http://www.blogger.com/atom/ns#' term='maps'/><category scheme='http://www.blogger.com/atom/ns#' term='cityspace'/><category scheme='http://www.blogger.com/atom/ns#' term='geopolitics'/><category scheme='http://www.blogger.com/atom/ns#' term='Omnivore'/><category scheme='http://www.blogger.com/atom/ns#' term='annotated links'/><category scheme='http://www.blogger.com/atom/ns#' term='essays'/><category scheme='http://www.blogger.com/atom/ns#' term='links'/><category scheme='http://www.blogger.com/atom/ns#' term='book reviews'/><category scheme='http://www.blogger.com/atom/ns#' term='cities'/><title type='text'>a new world order of maps</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;div class="LeftImage"&gt;&lt;div class="Image"&gt;&lt;img src="http://www.bookforum.com/uploads/upload.000/id08143/article00.jpg" border="0" height="186" alt="" width="220" /&gt;&lt;/div&gt;&lt;/div&gt;  &lt;p&gt;Timothy Erik Strom (Southern Cross): &lt;a href="http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/370"&gt;Space, Cyberspace and Interface&lt;/a&gt;: The Trouble with Google Maps. From Penn State, a series called the &lt;a href="http://geospatialrevolution.psu.edu/"&gt;Geospatial Revolution Project&lt;/a&gt;. In the emerging field of “&lt;a href="http://www.nytimes.com/2011/07/27/arts/geographic-information-systems-help-scholars-see-history.html"&gt;spatial humanities&lt;/a&gt;,” scholars are using mapmaking software to recreate vanished landscapes and envision history as it really happened. &lt;a href="http://seedmagazine.com/content/article/mapping_science/"&gt;Mapmaking has a new challenge&lt;/a&gt; far more involved than depicting the traits of the physical world. A &lt;a href="http://latimesblogs.latimes.com/jacketcopy/2011/04/festival-of-books-maps-1.html"&gt;new world order of maps&lt;/a&gt; (Google and MapQuest) changes how we engage with cities. Creative Cartography: Here are 7 must-read &lt;a href="http://www.brainpickings.org/index.php/2011/01/07/must-read-map-books/"&gt;books about maps&lt;/a&gt;. Restoring a 1770 map, found at the Brooklyn Historical Society, entailed &lt;a href="http://www.nytimes.com/2011/01/17/nyregion/17map.html"&gt;boiling old books&lt;/a&gt; to get the right aged color. From Strange Maps, Fank Jacobs on &lt;a href="http://bigthink.com/ideas/26571"&gt;Nazis up the Mississippi&lt;/a&gt; and other Axis invasion scenarios. From  GeoJunk, while some artists use paint or charcoal, the artist &lt;a href="http://www.geojunk.com/nikki-rosatos-map-portraits/"&gt;Nikki Rosato&lt;/a&gt; prefers to make portraits of the human body using old road maps; and here is a &lt;a href="http://www.geojunk.com/a-brief-history-of-maps/"&gt;brief history of maps&lt;/a&gt;. Ingenious Flat Earth Theory revealed in old map, with the &lt;a href="http://www.lifeslittlemysteries.com/ingenious-flat-earth-theory-revealed-old-map-1802/"&gt;Earth as an inverse toroid&lt;/a&gt;. From GeoCurrents, Martin W. Lewis on a key to map of &lt;a href="http://geocurrents.info/geopolitics/key-to-map-of-geopolitical-anomalies"&gt;geopolitical anomalies&lt;/a&gt;; delusional mapping: A &lt;a href="http://geocurrents.info/geographical-thought/delusional-mapping-and-the-invisible-comanche-empire"&gt;review&lt;/a&gt; of &lt;i&gt;The Comanche Empire&lt;/i&gt; by Pekka Hamalainen; and an article on &lt;a href="http://geocurrents.info/place/europe/microstates-in-cartograms"&gt;microstates in cartograms&lt;/a&gt;. Maps with only words, known as “&lt;a href="http://spatialanalysis.co.uk/2011/01/17/typographic-maps/"&gt;Typographic Maps&lt;/a&gt;”, are becoming increasingly popular (and &lt;a href="http://makingmaps.net/2011/01/31/word-maps-words-on-maps-map-typography/"&gt;more&lt;/a&gt;). Know your meme: “The World According to X” (a.k.a “How X Sees the World”  or “The X World”) is a series of world map satires that are &lt;a href="http://knowyourmeme.com/memes/the-world-according-to-x"&gt;labeled with various geopolitical stereotypes and jokes&lt;/a&gt; to reflect the biased worldview of country X. Everybody, meet Kergolus: This little furry thing is a &lt;a href="http://bigthink.com/ideas/38958"&gt;geo-mascot&lt;/a&gt;, shaped like the territory it symbolises. Mapping the human condition: What the &lt;a href="http://www.brainpickings.org/index.php/2011/05/05/mapping-the-human-condition/"&gt;empire of love&lt;/a&gt; has to do with the intellect forest and the bay of agoraphobia.&lt;/p&gt;&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.bookforum.com/blog/8143"&gt;bookforum.com&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-5967151617149643280?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/5967151617149643280/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/08/new-world-order-of-maps.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5967151617149643280'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5967151617149643280'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/08/new-world-order-of-maps.html' title='a new world order of maps'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-5416240167993097305</id><published>2011-07-26T18:40:00.000-06:00</published><updated>2011-07-26T18:40:16.321-06:00</updated><title type='text'>Muslim Representations of the Crusades</title><content type='html'>&lt;div&gt;&lt;center&gt;&lt;span class="Apple-style-span" style="color: rgb(61, 61, 60); font-family: Verdana, Tahoma; font-size: 12px; line-height: 17px; "&gt;&lt;img src="http://www.medievalists.net/wp-content/uploads/2011/03/Unknown-16.jpeg" center="" /&gt;&lt;/span&gt;&lt;/center&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(61, 61, 60); font-family: Verdana, Tahoma; font-size: 12px; line-height: 17px; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(61, 61, 60); font-family: Verdana, Tahoma; font-size: 12px; line-height: 17px; "&gt;If, as August Nitschke argued, “groups can be understood most clearly when we ask: how do they look at their enemies?” then a good litmus test for Middle Eastem Islamic attitudes with regard to Western Christianity during the Middle Ages should be provided by the Crusades. Were they really that “great debate between East and West” that Edward Gibbon wrote about? When one begins to peruse the Islamic sources a paradox leaps immediately to the eyes: though the First Crusade was preceded by, generated, and was followed by a powerful outburst of religious enthusiasm (not to say frenzy) on the Christian side, among Muslims one encounters at first very little religious animosity towards the invaders, and certainly no corresponding religious resurgence. Panic, anguish, and hatred were indeed created by this forceful irruption into Syria- Palestine in 1097-1100, yet they lack an Islamic dimension. This is to be explained in part by &lt;img class="alignleft size-medium wp-image-10479" title="crusades" src="http://www.medievalists.net/wp-content/uploads/2010/09/crusades1-190x136.jpg" alt="" width="190" height="136" style="max-width: 100%; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-color: rgb(0, 0, 0); border-right-color: rgb(0, 0, 0); border-bottom-color: rgb(0, 0, 0); border-left-color: rgb(0, 0, 0); border-style: initial; padding-top: 4px; padding-right: 4px; padding-bottom: 4px; padding-left: 4px; border-style: initial; float: left; display: inline; margin-top: 0px; margin-right: 7px; margin-bottom: 2px; margin-left: 0px; " /&gt;the fact that the Crusades were viewed by the Syrians as an extension of Byzantine military campaigns aimed at the reconquest of Northern Syria in the tenth and eleventh centuries; campaigns which were on the whole (with one exception, the campaigns of Nicephoros Phocas and John Tzimisces in the third quarter of the tenth century) devoid of religious characteristics: a war between states, not between inimical religions. Such a perception was rendered plausible by the fact that the Crusaders came to Syria via Constantinople and that Western Europeans (Franks) had been known in the Middle East in the past, especially as mercenaries of the Byzantine Empire (p. ex. during the 1071 battle of Manzikert).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(61, 61, 60); font-family: Verdana, Tahoma; font-size: 12px; line-height: 17px; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(61, 61, 60); font-family: Verdana, Tahoma; font-size: 12px; line-height: 17px; "&gt;&lt;strong&gt;&lt;a href="http://www.enec.it/VersoGerusalemme/11EMMANUELSIVAN.pdf" target="_blank" style="outline-style: none; outline-width: initial; outline-color: initial; color: rgb(14, 97, 114); text-decoration: none; "&gt;Click here to read this article from &lt;em&gt;Verso Gerusalemme&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.medievalists.net/2011/07/26/muslim-representations-of-the-crusades/"&gt;&lt;i&gt;MUSLIM REPRESENTATIONS OF THE CRUSADES - Medievalists Net&lt;/i&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-5416240167993097305?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.medievalists.net/2011/07/26/muslim-representations-of-the-crusades/' title='Muslim Representations of the Crusades'/><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/5416240167993097305/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/07/muslim-representations-of-crusades.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5416240167993097305'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5416240167993097305'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/07/muslim-representations-of-crusades.html' title='Muslim Representations of the Crusades'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-8128039995446609406</id><published>2011-07-25T09:37:00.000-06:00</published><updated>2011-07-25T09:37:29.954-06:00</updated><title type='text'>The mythological city</title><content type='html'>&lt;div&gt;&lt;i&gt;Still collecting interesting sites, book reviews, images, articles about city  spaces, real and imagined, and citylit. Is it simple aggregation ot thoughtful research? Does it matter? Probably not.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Wendl's article addresses marking and reading cityspace, aka semiotics of the city ~ graffiti, advertising, signs and public arts ~ all ways of marking cityspace and leaving messages that not all will read the same way.&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.lonelyplanet.com/travel-blog/tip-article/wordpress_uploads/2010/01/El-Dorado.jpg" /&gt;&lt;/center&gt;&lt;center&gt;&lt;i&gt;El Dorado imagined, minus advertising or graffiti: tabula rasa&lt;/i&gt;&lt;/center&gt;&lt;/div&gt;&lt;blockquote&gt;"Whether it is prehistoric paintings on the walls of caves or the graffiti and advertising we see all over the walls of our modern cities, people need to mark out their space, distinguish it from the untamed wilderness. Peter Wendl asks why we still need to produce signs and icons in public spaces."&lt;/blockquote&gt;&lt;div&gt;&lt;center&gt;&lt;img src="http://graffitine.com/wp-content/uploads/2010/12/urban-graffiti-arrow.jpg" /&gt;&lt;/center&gt;&lt;center&gt;&lt;i&gt;&lt;a href="http://graffitine.com/urban-graffiti/"&gt;Urban Graffiti&lt;/a&gt;: imagining the authentic city&lt;/i&gt;&lt;/center&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Read the article at &lt;a href="http://www.eurozine.com/articles/2011-07-25-wendl-en.html"&gt;Eurozine - The mythological city - Peter Wendl&lt;/a&gt; &lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-8128039995446609406?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.eurozine.com/articles/2011-07-25-wendl-en.html' title='The mythological city'/><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/8128039995446609406/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/07/mythological-city.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8128039995446609406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8128039995446609406'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/07/mythological-city.html' title='The mythological city'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-5518790167495230171</id><published>2011-06-29T13:26:00.000-06:00</published><updated>2011-06-29T13:26:15.204-06:00</updated><title type='text'>The Lost City of Z</title><content type='html'>&lt;div&gt;&lt;i&gt;No, I haven't been to the &lt;b&gt;&lt;a href="http://www.telegraph.co.uk/culture/books/4734059/The-Lost-City-of-Z.html"&gt;Lost City of Z&lt;/a&gt;&lt;/b&gt; (or sworn to secrecy if I had), but it's a city, a mythic one at that. Besides, New York (and with it &lt;a href="http://www.newyorker.com/l"&gt;The New Yorker&lt;/a&gt;) is one of the places along ~ literally and literarily. The closing passage of the article, evoking "&lt;a href="http://www.literatura.us/alejo/deloreal.html"&gt;lo real maravilloso&lt;/a&gt;," is reminiscent of similar passages in both &lt;a href="http://en.wikipedia.org/wiki/Carlos_Fuentes"&gt;Carlos Fuentes&lt;/a&gt;' La Región Más Transparente (Where the Air is Clear, 1958) and &lt;a href="http://en.wikipedia.org/wiki/Alejo_Carpentier"&gt;Alejo Carpentier&lt;/a&gt;'s Los pasos perdidos (The Lost Steps, 1953)&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;center&gt;&lt;img src="http://i.telegraph.co.uk/multimedia/archive/01296/amazon-3_1296723c.jpg" /&gt;&lt;/center&gt;&lt;/i&gt;&lt;/div&gt;&lt;blockquote&gt;When he vanished, Fawcett and his party had been trying to uncover a lost civilization hidden in the Amazon, which Fawcett had named, simply, the City of Z. In the next seven decades, scores of explorers had tried and failed to retrace Fawcett’s path.... &lt;i&gt;[until]&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;An archeologist named Michael Heckenberger was doing field work in the Kuikuro village....Because of the prevailing notion that the Amazon was a counterfeit paradise—and because no stone city had ever been found—most established archeologists had long ago abandoned the remote Xingu. “They assumed it was an archeological black hole,” Heckenberger told me. “Fawcett was probably the last person who came in here looking for lost cities."&lt;/blockquote&gt;&lt;blockquote&gt;Some of the musicians and dancers were circling through the plaza, and Heckenberger said that everywhere you looked in the Kuikuro village “you can see the past in the present.” I began to picture the flutists and dancers in one of the old plazas. I pictured them living in mound-shaped two-story houses, the houses not scattered but in endless rows, where women wove hammocks and baked with manioc flour, and where teen-age boys and girls were held in seclusion as they learned the rites of their ancestors. I pictured the dancers and singers crossing moats and passing through tall palisade fences, moving from one village to the next, along wide boulevards and bridges and causeways.&lt;/blockquote&gt;&lt;blockquote&gt;The musicians were coming closer to us, and Heckenberger said something about the flutes, but I could no longer hear his voice over the sounds. For a moment, I could see this vanished world as if it were right in front of me. &lt;/blockquote&gt;&lt;div&gt;&lt;i&gt;&lt;a href="http://www.newyorker.com/archive/2005/09/19/050919fa_fact_grann?currentPage=all"&gt;A Reporter at Large: The Lost City of Z : The New Yorker&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;From Troy and Rome on, falls, like foundings, of great cities are always the matter of myth no matter how real&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-5518790167495230171?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/5518790167495230171/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/06/lost-city-of-z.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5518790167495230171'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5518790167495230171'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/06/lost-city-of-z.html' title='The Lost City of Z'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-8944912900498173828</id><published>2011-05-17T17:45:00.000-06:00</published><updated>2011-05-17T17:45:19.556-06:00</updated><title type='text'>a new way to look at cities</title><content type='html'>&lt;div&gt;&lt;center&gt;&lt;img src="http://bookforum.com/uploads/upload.000/id07736/article00.jpg" /&gt;&lt;/center&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;"Cities of the sky: From Dubai to Chongqing to Honduras, the &lt;a href="http://online.wsj.com/article/SB10001424052748703408604576164703521850100.html"&gt;Silk Road of the future&lt;/a&gt; is taking shape in urban developments based on airport hubs — welcome to the world of the 'aerotropolis' (and &lt;a href="http://www.lrb.co.uk/v33/n09/will-self/the-frowniest-spot-on-earth"&gt;more&lt;/a&gt; and &lt;a href="http://www.washingtonpost.com/entertainment/books/two_books_on_urban_affairs_triumph_of_the_city_and_aerotropolis/2011/03/22/AFEBwUkD_story.html"&gt;more&lt;/a&gt; and &lt;a href="http://thefastertimes.com/travel/2011/04/01/how-fedex-and-ups-changed-the-airport-into-a-factory/"&gt;more&lt;/a&gt; and &lt;a href="http://www.nytimes.com/2011/03/06/books/review/Powell-t.html"&gt;more&lt;/a&gt; and &lt;a href="http://www.businessweek.com/magazine/content/11_10/b4218082602579.htm"&gt;more&lt;/a&gt; and &lt;a href="http://www.guardian.co.uk/books/2011/mar/19/aerotropolis-kasarda-lindsay-cities-review"&gt;more&lt;/a&gt; and &lt;a href="http://www.ft.com/cms/s/2/c052e2be-4b64-11e0-89d8-00144feab49a.html"&gt;more&lt;/a&gt; and &lt;a href="http://bnreview.barnesandnoble.com/t5/Reviews-Essays/Aerotropolis/ba-p/4505"&gt;more&lt;/a&gt;). A new way to look at cities: We can delight in the &lt;a href="http://www.adbusters.org/magazine/93/ecological-urbanism.html"&gt;aesthetics of other necessities&lt;/a&gt;."&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;read the rest of &lt;a href="http://bookforum.com/blog/7736"&gt;a new way to look at cities - bookforum.com / omnivore&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-8944912900498173828?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://bookforum.com/blog/7736' title='a new way to look at cities'/><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/8944912900498173828/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/05/new-way-to-look-at-cities.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8944912900498173828'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8944912900498173828'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/05/new-way-to-look-at-cities.html' title='a new way to look at cities'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-4231955414309131165</id><published>2011-03-05T05:30:00.001-07:00</published><updated>2011-03-05T05:30:53.391-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='elearning tool'/><category scheme='http://www.blogger.com/atom/ns#' term='ESL'/><category scheme='http://www.blogger.com/atom/ns#' term='marketing'/><category scheme='http://www.blogger.com/atom/ns#' term='audio'/><category scheme='http://www.blogger.com/atom/ns#' term='edtech'/><category scheme='http://www.blogger.com/atom/ns#' term='map application'/><category scheme='http://www.blogger.com/atom/ns#' term='learning resource'/><category scheme='http://www.blogger.com/atom/ns#' term='tourism'/><category scheme='http://www.blogger.com/atom/ns#' term='virtual travel'/><category scheme='http://www.blogger.com/atom/ns#' term='presentation tool'/><category scheme='http://www.blogger.com/atom/ns#' term='virtual tour'/><category scheme='http://www.blogger.com/atom/ns#' term='ESL project'/><category scheme='http://www.blogger.com/atom/ns#' term='PLN'/><title type='text'>GeoTrio: another tool for your PLN</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;p&gt;&lt;a href="https://www.geotrio.com/home"&gt;GeoTrio&lt;/a&gt; lets you create a virtual tour of just about anyplace on a map.  You type in addresses or locations and easily create multiple “stops” that show the Google Street View snapshots of the area.  You can also upload your own images.  &lt;/p&gt;  &lt;p&gt;But that’s not all.&lt;/p&gt;  &lt;p&gt;What really makes GeoTrio stand out is the ability to easily make an audio recording for each stop on the map.&lt;/p&gt;  &lt;p&gt;In many ways its similar to &lt;a href="http://www.tripline.net/"&gt;Tripline&lt;/a&gt;, which you can read about on &lt;a href="http://larryferlazzo.edublogs.org/2009/09/08/the-best-sites-where-students-can-plan-virtual-trips/"&gt;The Best Sites Where Students Can Plan Virtual Trips&lt;/a&gt; (I’m adding GeoTrio to that list, too).  Tripline is “slicker” and lets you grab images off the Web.  However, it does not have the ability to provide audio narration.&lt;/p&gt;&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://larryferlazzo.edublogs.org/2011/03/05/geotrio-is-great-for-english-language-learners/"&gt;larryferlazzo.edublogs.org&lt;/a&gt;&lt;/div&gt; &lt;p /&gt;&lt;p /&gt;&lt;p&gt;&lt;b&gt;Assignment for students&lt;/b&gt;: &lt;br /&gt;&lt;/p&gt;&lt;p&gt; &lt;br /&gt;Use this to plan a trip to someplace you've always wanted to visit or create a presentation to show your online friends about your home town or some place special to you.  &lt;br /&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt; &lt;br /&gt;&lt;b&gt;Other&lt;/b&gt;: teaching, presentation, marketing, even site development tool&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/geotrio-another-tool-for-your-pln"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-4231955414309131165?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/4231955414309131165/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/03/geotrio-another-tool-for-your-pln.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4231955414309131165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4231955414309131165'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/03/geotrio-another-tool-for-your-pln.html' title='GeoTrio: another tool for your PLN'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-8737563983207307435</id><published>2011-02-22T00:35:00.001-07:00</published><updated>2011-02-22T00:35:15.354-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tahrir'/><category scheme='http://www.blogger.com/atom/ns#' term='revolt'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>what the egyptian revolt means</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;div class="LeftImage"&gt;&lt;div class="Image"&gt;&lt;img src="http://www.bookforum.com/uploads/upload.000/id07175/article00.jpg" border="0" height="220" alt="" width="220" /&gt;&lt;/div&gt;&lt;/div&gt;  &lt;p&gt;Herbert Bix (Binghamton): &lt;a href="http://www.japanfocus.org/-Herbert_P_-Bix/3488"&gt;The Middle East Revolutions in Historical Perspective&lt;/a&gt;: Egypt, Occupied Palestine, and the United States. Gimme Fuel, Gimme Fire: What the &lt;a href="http://www.tnr.com/article/82995/nuclear-weapons-middle-east-obama-mubarak"&gt;Egyptian revolt&lt;/a&gt; means for nuclear proliferation. How does protest &lt;a href="http://blogs.wsj.com/ideas-market/2011/02/15/how-does-protest-topple-a-government/"&gt;topple a government&lt;/a&gt;? (and &lt;a href="http://www.themonkeycage.org/2011/02/why_do_protests_bring_down_reg.html"&gt;more&lt;/a&gt; at The Monkey Cage) Tina Rosenberg on &lt;a href="http://www.foreignpolicy.com/articles/2011/02/16/revolution_u"&gt;what Egypt learned&lt;/a&gt; from the students who overthrew Milosevic. A look at how shy U.S. intellectual &lt;a href="http://www.nytimes.com/2011/02/17/world/middleeast/17sharp.html"&gt;Gene Sharp&lt;/a&gt; created the playbook used revolutions (and &lt;a href="http://blogs.ssrc.org/tif/2011/02/17/the-science-of-people-power-an-interview-with-gene-sharp/"&gt;more&lt;/a&gt;). This is not an Islamic revolution: Olivier Roy on how the uprisings in Egypt and Tunisia show that &lt;a href="http://www.newstatesman.com/religion/2011/02/egypt-arab-tunisia-islamic"&gt;Islam is now less potent politically&lt;/a&gt;, even as its social dominance grows. Immanuel Wallerstein on the &lt;a href="http://www.iwallerstein.com/the-world-social-forum-egypt-and-transformation/"&gt;World Social Forum&lt;/a&gt;, Egypt, and transformation. New World Order: Joseph Nye on Egypt, the &lt;a href="http://www.tnr.com/article/world/83707/information-technology-egypt-revolution"&gt;information revolution&lt;/a&gt;, and the struggle for power in the twenty-first century. The Al Jazeera Effect: The inside story of &lt;a href="http://www.foreignpolicy.com/articles/2011/02/08/the_al_jazeera_effect"&gt;Egypt's TV wars&lt;/a&gt; and how Saudi Arabia could be next. Why Mideast tumult caught scholars by surprise: &lt;a href="http://chronicle.com/article/Why-Mideast-Tumult-Caught/126307/"&gt;Revolutions are easy to predict&lt;/a&gt;, but their timing sure isn't. Can the &lt;a href="http://www.the-utopian.org/post/3044345448/the-childless-revolutions"&gt;mass protests in Tunisia and Egypt&lt;/a&gt; succeed even though they have failed to produce real political leaders? "We all know our way back to &lt;a href="http://www.stateofnature.org/weAllKnowOurWay.html"&gt;Tahrir Square&lt;/a&gt;": Jon Bailes on &lt;a href="http://www.stateofnature.org/egyptDemocracy.html"&gt;Egypt, democracy and neoliberalism&lt;/a&gt;. The importance of these &lt;a href="http://www.redpepper.org.uk/revolution-on-the-nile-lessons-for-africa/"&gt;21st century democratic revolutions&lt;/a&gt; for the rest of Africa cannot be overlooked. Robert Zaretsky on &lt;a href="http://www.foreignaffairs.com/articles/67393/robert-zaretsky/egypt-and-the-longue-duree"&gt;Egypt and the Longue Duree&lt;/a&gt;: What Braudel has to teach about the crisis. &lt;a href="http://tehranreview.net/articles/7249"&gt;What's next after a revolution&lt;/a&gt;? Mohammadbagher Forough on promises of countries yet to come.&lt;/p&gt;&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.bookforum.com/blog/7175"&gt;bookforum.com&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/what-the-egyptian-revolt-means"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-8737563983207307435?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/8737563983207307435/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/02/what-egyptian-revolt-means.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8737563983207307435'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/8737563983207307435'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/02/what-egyptian-revolt-means.html' title='what the egyptian revolt means'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-5108217795981798152</id><published>2011-02-17T09:25:00.001-07:00</published><updated>2011-02-17T09:25:55.753-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tahrir'/><category scheme='http://www.blogger.com/atom/ns#' term='Cairo'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><category scheme='http://www.blogger.com/atom/ns#' term='AUC'/><title type='text'>Perspectives on Egypt</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;  &lt;table border="0"&gt;    &lt;tr&gt;  &lt;td&gt;&lt;p&gt;&lt;img title="Egypt1" src="https://www.acls.org/uploadedImages/News/Winegar1-c.jpg?n=6993" border="0" alt="Egypt1" /&gt;&lt;/p&gt;  &lt;p&gt;&lt;span class="Caption"&gt;An Egyptian protestor decries the government’s theft of billions from&lt;br /&gt;  the pension fund. Photo by Jessica Winegar.&lt;/span&gt;&lt;/p&gt;  &lt;/td&gt;  &lt;td&gt;“I rushed to Tahrir as did thousands of Cairenes.&amp;nbsp;My subway car was filled with young people who had spontaneously invented chants that expressed their joy.&amp;nbsp;One of these was, ‘They said we were the youth of Kentucky (Fried Chicken), but we were the ones who protected you (Egypt).’ (It rhymes in Arabic.) Another:&amp;nbsp;‘We are the youth of the internet, not those only concerned with dating.’ I sat across from one man in his late 70s who sat with a smile on his face, staring at the teen and twenty-something men in amazement and admiration, with tears of joy in his eyes.&amp;nbsp; He kept saying to me in English, ‘Revolution. Revolution.’&lt;/td&gt;  &lt;/tr&gt;    &lt;/table&gt;  &lt;p&gt;“He was going to Tahrir too, and when I got there, amidst the massive celebrating crowds, I saw countless older men and women, some quite old and in wheelchairs or with canes.&amp;nbsp;They walked with their spouses, and/or children and in many cases grandchildren.&amp;nbsp;Some of the mothers and grandmothers ululated.&amp;nbsp;Fathers and grandfathers participated in the moving cheer, ‘Lift your head up, you are Egyptian!’ It seemed that they had once been able to lift their heads up in pride as Egyptians, and although now many were stooped from the effects of living under an oppressive dictatorship, they were clearly so thrilled that their offspring could now lift their heads proudly and that they were among the fortunate ones to live to see this day.”&lt;/p&gt;  &lt;p&gt;So observed&amp;nbsp;&lt;a href="https://www.acls.org/research/fellow.aspx?cid=066dbd01-5050-de11-97ce-000c293a51f7"&gt;Jessica Winegar F’09&lt;/a&gt;, assistant professor of anthropology at Northwestern University, amidst the jubilant atmosphere in Tahrir Square when word came that President Mubarak had stepped down. She and other ACLS Fellows—from California to the Middle East, from computer labs to the streets of Cairo—understand the revolution as a moment both reshapes and is shaped by history.&lt;/p&gt;  &lt;p&gt;Watching the revolution unfold in Egypt,&amp;nbsp;&lt;a href="https://www.acls.org/research/fellow.aspx?cid=efe87987-b016-dc11-9d54-000c2903e717"&gt;Iza Hussin F’07&lt;/a&gt;, assistant professor of legal studies at University of Massachusetts, Amherst, has been “struck by the uncertainty there has been about what these events ‘mean’ for the states, participants, and region.”&amp;nbsp;&lt;a href="https://www.acls.org/research/fellow.aspx?cid=bcae748d-b016-dc11-9d54-000c2903e717"&gt;Omnia El Shakry F’07&lt;/a&gt;, associate professor of history at the University of California, Davis, adds that media coverage of these events has lacked “any real sense of history.”&lt;/p&gt;  &lt;p&gt;&lt;a href="https://www.acls.org/research/fellow.aspx?cid=f6ad748d-b016-dc11-9d54-000c2903e717"&gt;Jesse Ferris F’08, F’07&lt;/a&gt;, vice president for strategy for the Israel Democracy Institute, sees the roots of today’s revolution in Nasserism, and particularly the advent of the Egyptian military complex:&lt;/p&gt;  &lt;p&gt;“Mubarak is only the fourth in a chain of military officers who have assumed the Presidency since the Free Officers overthrew the monarchy in the revolution of 1952. The structure of the regime has remained largely unchanged since the days of Nasser. A small cast of ex-officers stands atop an enormous bureaucracy intertwined with a bloated national party apparatus, all three of which are sustained in power by two parallel security structures: the military and an assortment of internal security forces. Although it has not seen action in decades, the military remains the most significant power broker in Egypt, and its power has been magnified over the years by the construction of a vast military-industrial complex that is thoroughly entangled with the civilian economy.”&lt;/p&gt;  &lt;p&gt;El Shakry, however, argues that Egyptian society under Nasser was “equally characterized by an ideology and practice of social welfare,” a social contract between the state and the people in which “democratic political change was exchanged for piecemeal social reform” and the reinforcement of existing social relationships.&lt;/p&gt;  &lt;p&gt;El Shakry reminds us that Egypt experienced three revolutions in the twentieth century: the 1919 revolution that ended British colonial rule; the 1952 military coup that brought Gamal Abdel Nasser to power; and the 1974 neo-liberal Intifah, or opening, that led to a free-market economy and strengthened the private sector at the expense of Nasser’s social safety net. This led to an “immense polarization of wealth, drastically exacerbated since the 1990s, [which] has left many Egyptians consumed by the search for food, shelter, and human dignity, with an estimated 40 percent living below the poverty line.” The ongoing decline in the quality of life set the stage for the 2011 revolution. For many of today’s older protesters, demonstrations are not new, Winegar notes; many of them have a history activism, fighting “against the privatization of health insurance and the theft of billions of pension funds.”&lt;/p&gt;  &lt;p align="center"&gt;&lt;img title="Egypt2" src="https://www.acls.org/uploadedImages/News/Winegar2-b.jpg?n=1065" border="0" alt="Egypt2" /&gt;&lt;/p&gt;  &lt;p align="center"&gt;&lt;span class="Caption"&gt;Demonstrators in Cairo. Photo by Jessica Winegar.&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;Winegar is currently in Egypt at work on her ACLS fellowship project on state secularism and the Islamic revival.&amp;nbsp; She describes this as a multi-generational revolution, and watches as Egyptians who grew up during the different regimes bring the past to life in their activism. Under Mubarak, many “upper middle class Egyptians in their fifties and sixties who had been leftist student activists in the 1970s . . . watched their youthful dreams of creating a just society crumble before their eyes, as neoliberal capitalism, authoritarianism, and corruption, took vicious root in Egypt.&amp;nbsp; They themselves sought greater stability in their lives and so, with marriage and children, they hunkered down in decent apartments and built comfortable lives for themselves and their families . . .&amp;nbsp; Their 1970s street activism had, in the Mubarak era, been limited to signing intellectuals’ petitions, writing the occasional article, or going to the occasional demonstration and being cordoned off by the security police.” In 2011, they assembled in Tahrir Square, joined neighborhood watches, and argued with pro-Mubarak neighbors.&lt;/p&gt;  &lt;p&gt;“I also saw many pro-democracy demonstrators in their late sixties and seventies,” she continues. “These men and women had been raised on Nasser’s revolutionary language; their childhood, teens, or twenties had been filled with the promise of a just and prosperous society.&amp;nbsp; But their potential was curtailed by the steep decline in quality of life from the later Nasser years through Sadat and Mubarak.” Like their younger counterparts, “their struggle, and their disappointment, was marked on their bodies.” Many, including the relatively privileged, suffer from the ailments of a stressful life and poor health care: high blood pressure, diabetes, heart problems, mental stress, and cigarette addiction.”&lt;/p&gt;  &lt;p&gt;The revolution transformed perceptions.&amp;nbsp;After Muburak stepped down, “We never thought this would happen” became a common refrain, but Winegar concludes, “It was as clear as day.” Ferris agrees that the revolution could have been predicted, though “knowing that an event will happen is not the same as predicting when it will happen.” In this case, the overthrow of the Tunisian government and the Egyptian military’s restraint allowed the inevitable to finally unfold.&lt;/p&gt;  &lt;p&gt;While Winegar was in Tahrir Square,&amp;nbsp;&lt;a href="https://www.acls.org/research/fellow.aspx?cid=327510ac-f8a4-db11-8d10-000c2903e717"&gt;Todd Presner F’06&lt;/a&gt;, professor of Germanic languages and literatures at the University of California, Los Angeles, and his colleagues at the UCLA Center for Digital Humanities were creating “HyperCities Egypt,” a digital map of Cairo that locates and archives tweets from the uprising, bringing Egyptian voices to the rest of the world while also preserving them for the future. This program is based on “HyperCities Berlin,” an interactive, web-based research platform for analyzing the cultural, architectural, and urban history of a city space built with funding from the ACLS Digital Innovation Fellowship program.&lt;/p&gt;  &lt;p&gt;Presner&amp;nbsp;&lt;span class="blogCalendar TABLE.calendarTable"&gt;explains&lt;/span&gt;:&lt;/p&gt;  &lt;p&gt;“We wanted the world to be able to hear these voices coming out Egypt since they add a very different perspective and dimension when compared to traditional broadcast media. To date, we have archived and mapped more than 300,000 tweets coming out of Egypt since the project began.&amp;nbsp; These are searchable and can be studied by scholars interested in understanding the roles that social media played in documenting and fomenting the revolution in Egypt.&amp;nbsp; At the project’s core are values central to the next wave of digital humanities: harnessing new technologies to expand the global public sphere, animating the archive in new ways, and using technologies to increase the purview, relevance, and importance of the humanities in the world."&lt;/p&gt;  &lt;p&gt;Can humanities scholars tell us what is next for Egypt? Ferris argues that the emergence of a “genuine multi-party system” is unlikely, and that the “rapid population growth, scarce natural resources, a chronic shortage of wheat, and insufficient exports”—challenges that have persisted since Nasser’s time—will prove challenging to any future government. Instead, he sees a two-party system backed by the army, as emerged in Turkey in 1950, as one possibility, and a new secularist or Islamic dictatorship as another possibility. Hussin adds that “Islam never did, nor does it now, promise a monolithic shari’ah state, but presents a plethora of resources for mobilization, locally defined institutions, and the construction and contestation of new identities.”&lt;/p&gt;  &lt;p&gt;She further describes the 2011 revolution as a “moment of making,” one that humanities research can illuminate in all its richness. We can look to engaged researchers to answer questions such as those posed by Hussin: “What structural elements of the moribund regime will become underpinnings of a new order? What symbols, logics, and languages of power will the new civic culture adopt, and what will it make anew?” As scholarship on Egyptian politics and society shows us, history is a process, and each day is informed by the day before.&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Read more:&amp;nbsp;&lt;br /&gt;&lt;a href="http://www.jadaliyya.com/pages/index/569/egypts-three-revolutions_the-force-of-history-behind-this-popular-uprising"&gt;"Egypt's Three Revolutions: The Force of History behind this Popular Uprising"&lt;/a&gt;&amp;nbsp;by Omnia El Shakry F'07&lt;br /&gt;&lt;a href="http://newsroom.ucla.edu/portal/ucla/ucla-unveils-digitial-archive-191921.aspx"&gt;New UCLA project streams Twitter updates from Egypt unrest on digital map of Cairo&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="https://www.acls.org/news/2-16-11/"&gt;acls.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/perspectives-on-egypt"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-5108217795981798152?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/5108217795981798152/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/02/perspectives-on-egypt.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5108217795981798152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5108217795981798152'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/02/perspectives-on-egypt.html' title='Perspectives on Egypt'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-1500892279780368408</id><published>2011-02-15T12:03:00.001-07:00</published><updated>2011-02-15T12:03:37.999-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='youth'/><category scheme='http://www.blogger.com/atom/ns#' term='Haiti'/><category scheme='http://www.blogger.com/atom/ns#' term='art'/><category scheme='http://www.blogger.com/atom/ns#' term='youth art program'/><category scheme='http://www.blogger.com/atom/ns#' term='culture'/><category scheme='http://www.blogger.com/atom/ns#' term='APROSIFA'/><category scheme='http://www.blogger.com/atom/ns#' term='painting'/><category scheme='http://www.blogger.com/atom/ns#' term='history'/><title type='text'>Haitian Renaissance: Youth Paint a New Country</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;i&gt;Rebuilding can take many forms, use different materials ~ but all to the same end.... renewal of spirit, hope, possibilities.&lt;/i&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;  &lt;/p&gt;&lt;div class="node-submitted"&gt;by Beverly Bell, &lt;a href="http://www.otherworldsarepossible.org/"&gt;Other Worlds Are Possible&lt;/a&gt;&lt;/div&gt;      &lt;div class="node-content"&gt;&lt;p&gt;&lt;/p&gt;  &lt;p style="text-align: center;"&gt;&lt;img src="http://www.otherworldsarepossible.org/sites/default/files/images/medium_young%20artist_haiti.jpg" height="300" align="top" alt="" width="400" /&gt;&lt;/p&gt;  &lt;p style="text-align: center;"&gt;&lt;em&gt;&lt;span style="font-size: x-small;"&gt;Islande Henry with one of her paintings on women's rights.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="font-size: x-small;"&gt;Photo: Allyn Gaestel&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: small;"&gt;.&lt;/span&gt;&lt;/p&gt;  &lt;p style="text-align: center;"&gt;By Beverly Bell&lt;/p&gt;  &lt;p style="text-align: left;"&gt;"Everyone expects there to be a new problem daily in Haiti. &amp;nbsp;I can’t concentrate on problems each day,” said Roseanne Auguste, coordinator of a youth art program in the sprawling, under-resourced Port-au-Prince section of Carrefour-Feuilles. The program is run through the community clinic Association for the Promotion of Family Integrated Health (APROSIFA).&lt;/p&gt;&lt;p&gt;  &lt;/p&gt;&lt;/div&gt;  &lt;div&gt;Roseanne swept her hand across hundreds of paintings and drawings waiting to be packed up for an upcoming art show. “And people come and say Haiti is the poorest country in the Western Hemisphere. I hate to hear that. There’s so much richness in this country.”&lt;/div&gt;  &lt;p&gt;  &lt;/p&gt;&lt;div&gt;Roseanne, who is director of APROSIFA as well as a nurse and community organizer, held up one painting. It featured two hands nurturing a brilliantly colored women’s head; the hands seemed to be helping the woman open her mouth. “They’re envisioning all this despite the earthquake,” Roseanne said.&amp;nbsp;&lt;/div&gt;  &lt;p&gt;  &lt;/p&gt;&lt;div&gt;“These kids hear about violence every day,” Roseanne said. “We have to concentrate on what another country could be. &amp;nbsp;That’s what interests me. If we had cultural centers in each shantytown, imagine what we could do. Culture and citizenship… if youth came and talked about this every day, found different ways to express their views on the matters, we could have a different country.”&lt;/div&gt;  &lt;p&gt;  &lt;/p&gt;  &lt;p&gt;  &lt;/p&gt;&lt;div&gt;APROSIFA’s youth art program began in 2009 in a couple of cement-block rooms in the back of the clinic. A few professional artists donated their time to teach. &amp;nbsp;Today, 68 youth from ages 8 to early 20s are painting and sculpting. A few of the youth who began learning two years ago are now teaching the others.&lt;/div&gt;  &lt;p&gt;  &lt;/p&gt;&lt;div&gt;The artwork represents the daily stuff of Haitian life, like forms of labor, scenes inside village huts, vodou imagery, and landscapes. &lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="posterous_quote_citation"&gt; Read the rest of the story at &lt;a href="http://www.otherworldsarepossible.org/another-haiti-possible/haitian-renaissance-youth-paint-new-country"&gt;otherworldsarepossible.org&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://harborhomesllc.posterous.com/haitian-renaissance-youth-paint-a-new-country"&gt;Haven at Harbor Homes&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-1500892279780368408?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/1500892279780368408/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/02/haitian-renaissance-youth-paint-new.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/1500892279780368408'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/1500892279780368408'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/02/haitian-renaissance-youth-paint-new.html' title='Haitian Renaissance: Youth Paint a New Country'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-4170047101603702458</id><published>2011-01-28T14:06:00.001-07:00</published><updated>2011-01-28T14:06:16.432-07:00</updated><title type='text'>Egypt Rising Up</title><content type='html'>&lt;div style="font-family:'times new roman', 'new york', times, serif;font-size:12pt;color:#000000;"&gt;&lt;div style="text-align: center; font-size: 12pt; font-family: 'times new roman', 'new york', times, serif; "&gt;&lt;img src="http://images.huffingtonpost.com/2011-01-28-egypt508wide.jpg"&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Egypt Protests, Live Update, Friday 28&amp;nbsp;&lt;a href="http://www.huffingtonpost.com/2011/01/28/egypt-protests-live-updat_n_815233.html"&gt;http://www.huffingtonpost.com/2011/01/28/egypt-protests-live-updat_n_815233.html&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Carrier Pigeons replace internet &lt;a  href="http://sciencereligionnews.blogspot.com/2011/01/carrier-pigeons-now-only-way-to.html"&gt;http://sciencereligionnews.blogspot.com/2011/01/carrier-pigeons-now-only-way-to.html&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Internet security, websites blocked, activists arrested. &lt;a href="http://globalvoicesonline.org/2011/01/28/internet-security-savvy-critical-as-egypt-government-blocks-websites-arrests-activists/"&gt;http://globalvoicesonline.org/2011/01/28/internet-security-savvy-critical-as-egypt-government-blocks-websites-arrests-activists/&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Egypt's protests on Twitter (tag; #jan25) &lt;a href="http://english.aljazeera.net/news/middleeast/2011/01/201112523026521335.html"&gt;http://english.aljazeera.net/news/middleeast/2011/01/201112523026521335.html&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2"  face="verdana, helvetica, sans-serif"&gt;Liveblogging protests&amp;nbsp;&lt;a href="http://blogs.aljazeera.net/middle-east/2011/01/28/friday-protests-liveblog"&gt;http://blogs.aljazeera.net/middle-east/2011/01/28/friday-protests-liveblog&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;After Tunisia: Arabic writers reflect &lt;a href="http://www.guardian.co.uk/books/interactive/2011/jan/28/tunisia-protests-writers-reflect"&gt;http://www.guardian.co.uk/books/interactive/2011/jan/28/tunisia-protests-writers-reflect&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;After Tunisia: Alaa Abd El Fatah on Egypt &lt;a href="http://www.guardian.co.uk/books/2011/jan/28/after-tunisia-alaa-abd-el-fatah-egypt"&gt;http://www.guardian.co.uk/books/2011/jan/28/after-tunisia-alaa-abd-el-fatah-egypt&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;After  Tunisia: Ahdaf Soueif on Egypt &lt;a href="http://www.guardian.co.uk/books/2011/jan/28/after-tunisia-ahdaf-soueif-egypt"&gt;http://www.guardian.co.uk/books/2011/jan/28/after-tunisia-ahdaf-soueif-egypt&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Imagining a new Egypt &lt;a href="http://blogs.aljazeera.net/middle-east/2011/01/28/imagining-new-egypt"&gt;http://blogs.aljazeera.net/middle-east/2011/01/28/imagining-new-egypt&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Egypt's workers offline &lt;a href="http://anticap.wordpress.com/2011/01/28/egypts-workers-offline"&gt;http://anticap.wordpress.com/2011/01/28/egypts-workers-offline&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Uprisings: From Tunis to Cairo &lt;a  href="http://www.nybooks.com/articles/archives/2011/feb/24/uprisings-tunis-cairo/"&gt;http://www.nybooks.com/articles/archives/2011/feb/24/uprisings-tunis-cairo/&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font class="Apple-style-span" size="2" face="verdana, helvetica, sans-serif"&gt;Food Prices and Uprisings &lt;a href="http://foodanthro.wordpress.com/2011/01/27/food-prices-and-uprisings/"&gt;http://foodanthro.wordpress.com/2011/01/27/food-prices-and-uprisings/&lt;/a&gt;&lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 12pt; font-family: 'times new roman', 'new york', times, serif; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="position: fixed; font-size: 12pt; font-family: 'times new roman', 'new york', times, serif; "&gt;&lt;/div&gt;   &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-4170047101603702458?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/4170047101603702458/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/egypt-rising-up.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4170047101603702458'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4170047101603702458'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/egypt-rising-up.html' title='Egypt Rising Up'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-6754481166384382973</id><published>2011-01-27T13:51:00.001-07:00</published><updated>2011-01-27T13:51:05.799-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sustainability'/><category scheme='http://www.blogger.com/atom/ns#' term='Farmers Market'/><category scheme='http://www.blogger.com/atom/ns#' term='slow food'/><category scheme='http://www.blogger.com/atom/ns#' term='community garden'/><category scheme='http://www.blogger.com/atom/ns#' term='energy'/><category scheme='http://www.blogger.com/atom/ns#' term='agriculture'/><category scheme='http://www.blogger.com/atom/ns#' term='iCreate mission'/><title type='text'>Standing Our Ground on Sustainability</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; Read our mission statement. Sustainability is part of it. Obviously, the Community Garden fits right in there, so does our involvement with the Farmers Market Steering Committee, both individually and as an organization.  &lt;p&gt;&lt;/p&gt;&lt;p&gt;  And the music? you might ask. The creativity in &lt;b&gt;iCreate&lt;/b&gt;. Human sustainability. "Spiritual nourishment" Gregor Samsa would say (from &lt;a href="https://records.viu.ca/~johnstoi/stories/kafka-e.htm"&gt;&lt;i&gt;The Metamorphosis&lt;/i&gt;&lt;/a&gt;, Franz Kafka)  &lt;/p&gt;&lt;p&gt;  So where does this belong? Another feature, say "Sustainability," or perhaps under "Virtual Community Garden." "&lt;a href="http://www.lavidalocavore.org/"&gt;La Vida Locavore&lt;/a&gt;" is high on the list for a sidebar feed. What do you think? Let me know.  &lt;/p&gt;&lt;p&gt;  &lt;i&gt;Vanessa, resident Ariadne&lt;/i&gt;  &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;  &lt;/p&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;table&gt;&lt;tr&gt;&lt;td align="center"&gt;&lt;a href="http://www.lavidalocavore.org"&gt;&lt;img src="http://i114.photobucket.com/albums/n257/OrangeClouds_115/LVL0.jpg" border="0" alt="La Vida Locavore" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;      		&lt;/td&gt;  	&lt;/tr&gt;  &lt;/table&gt;                                                                      &lt;table&gt;  &lt;tr&gt;  &lt;td&gt;  &lt;h3 class="diaryTitle"&gt;    	&lt;a href="http://www.lavidalocavore.org/diary/4445/standing-our-ground-on-sustainability" class="diaryTitle"&gt;Standing Our Ground on Sustainability&lt;/a&gt;              &lt;/h3&gt;    &lt;h4 class="author"&gt;by:   	&lt;a href="http://www.lavidalocavore.org/user/Jill Richardson"&gt;  		Jill Richardson  	&lt;/a&gt;  		&lt;/h4&gt;      &lt;/td&gt;&lt;/tr&gt;  &lt;/table&gt;&lt;p&gt;    My latest on Alternet is titled "&lt;a href="http://www.alternet.org/story/149610/have_corporations_hijacked_the_word_%27sustainable%27/"&gt;Have Corporations Hijacked the Word 'Sustainable'?&lt;/a&gt; It's based on a trend I've seen over the past year or two. Sustainable means "capable of being maintained at a steady level without exhausting natural resources or causing severe ecological damage." Easy enough to understand, right? But over and over, I hear Big Ag interests (who are not always corporations, but are certainly serving corporate interests) say that sustainable is defined as "producing more food off of each acre while using less natural resources."  &lt;/p&gt;&lt;p&gt;To compare these two definitions, imagine we are talking about cars instead of agriculture. Let's say you're driving a Hummer. And you want to be "sustainable." Obviously, the Hummer won't do. Should you swap out the H2 for a Ford Expedition? Now, the Expedition can produce more with less resources than your Hummer. That is, it can go more miles using less gas. But is it "capable of being maintained at a steady level without exhausting natural resources or causing severe ecological damage." Absolutely not.  &lt;/p&gt;&lt;p&gt;How about a Prius. Wow, that can REALLY go more miles on less gas compared to a Hummer. But if we all drove Priuses, could that be maintained at a steady level without exhausting natural resources or causing severe ecological damage? Sadly, probably not.  &lt;/p&gt;&lt;p&gt;To get to the point where we meet the true definition of sustainable, we'd likely need a very robust public transportation system, much of which is powered from renewable clean energy like wind and solar, plus bike trails, and plug-in electric hybrid vehicles that plug into an upgraded grid powered by renewable clean energy. And honestly, maybe that wouldn't be sustainable (based on the true definition of the word). But it would be helluva lot closer to it than a Ford Expedition.  &lt;/p&gt;&lt;p&gt;So back to agriculture, clearly the Big Ag guys are trying to take us on by redefining "sustainability" in terms of yield. And they've already managed to hoodwink an awful lot of influential people into thinking that they will always win a contest based on yield, even though science proves otherwise. Here, in the industrialized world, we'd likely see a slight decrease in yield if we switched to organic agriculture, but we'd still have enough to eat, and some data indicates that we'd do better during periods of weather extremes (like droughts) than if we continued with chemical ag. In the non-industrial world, things are entirely different. Since the farmers there can't afford too many chemicals to begin with, switching to organic will actually INCREASE their yields by 80%.  &lt;/p&gt;&lt;p&gt;But even if that's the case, even if sustainable ag can match or beat industrialized ag on yield, sustainability is STILL not a question of yield. It's a question of whether a system can be maintained over the long term without using up natural resources and wrecking the earth. Crop rotation, intercropping, cover crops, and composting can all do that; nitrogen fertilizer and pesticides cannot.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.lavidalocavore.org/diary/4445/standing-our-ground-on-sustainability"&gt;lavidalocavore.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://mountainairnm.posterous.com/standing-our-ground-on-sustainability"&gt;Mountainair NM&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-6754481166384382973?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/6754481166384382973/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/standing-our-ground-on-sustainability.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6754481166384382973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6754481166384382973'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/standing-our-ground-on-sustainability.html' title='Standing Our Ground on Sustainability'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-4341643730337516916</id><published>2011-01-13T02:14:00.001-07:00</published><updated>2011-01-13T02:14:27.227-07:00</updated><title type='text'>Haitian remembrances, in their own voices</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div style="font-family: verdana, helvetica, sans-serif; font-size: 10pt;"&gt;&lt;div&gt;&lt;i&gt;Anniversaries are supposed to be celebrations, not catalogs of destruction, marked by delays and frustration. I can't help but recall that the 1st year is the paper anniversary and think on the symbolism,&amp;nbsp;"&lt;/i&gt;&lt;span style="color: rgb(35, 35, 35); line-height: 18px;"&gt;Paper represents fragility, a delicate nature, but can also denote the acquisition of knowledge." &lt;i&gt;Fragility, yes. Knowledge, to be hoped for.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;p /&gt;&lt;div&gt;&lt;i&gt;Blogger&amp;nbsp;&lt;a href="http://crofsblogs.typepad.com"&gt;DocCrof&lt;/a&gt; writes,&amp;nbsp;&lt;/i&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;"Google and NewsNow are saturated with earthquake-anniversary stories, with few adding anything useful to our understanding of Haiti."&lt;/span&gt;&lt;/div&gt;&lt;p /&gt;&lt;div&gt;&lt;i&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;After going through my feed reader &amp;nbsp;skimming and tagging anniversary stories, looking for standouts for an anniversary remembrance post, I'm of the same mind. The post excerpted below,&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;itself compiled from other posts by Haitian bloggers,&lt;/span&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;&amp;nbsp;caught my attention for its authentic and unadulterated voices.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;p /&gt;&lt;div&gt;&lt;i&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;Perhaps later, I'll return to the anniversary stories, pick out a few for sharing links and images.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;p /&gt;&lt;/blockquote&gt;&lt;div style="color: black;"&gt;&lt;div&gt; &lt;p /&gt; &lt;p /&gt; &lt;div style="margin-top: 0px; margin-right: 10px; margin-bottom: 0px; margin-left: 10px;"&gt;&lt;h2 style="margin-top: 0.25em; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;" /&gt;&lt;div class=""&gt;&lt;i&gt;&lt;a href="http://globalvoicesonline.org/2011/01/12/haiti-one-year-ago-we-remember/" rel="nofollow" target="_blank"&gt;Haiti: One Year Ago…We Remember&lt;/a&gt;&amp;nbsp;&lt;span style="font-weight: normal; font-size: small; font-family: verdana, helvetica, sans-serif;"&gt;via &lt;/span&gt;&lt;span style="font-weight: normal; font-size: small; font-family: verdana, helvetica, sans-serif;"&gt;&lt;a href="http://globalvoicesonline.org" class="f" rel="nofollow" target="_blank"&gt;Global Voices in English&lt;/a&gt;, written by&lt;/span&gt;&lt;span style="font-weight: normal; font-size: small; font-family: verdana, helvetica, sans-serif;"&gt;&amp;nbsp;&lt;span style="font-family: Times New Roman; font-style: normal; font-size: 17.3611px; font-weight: bold;"&gt;&lt;i&gt;&lt;span style="font-weight: normal; font-size: small; font-family: verdana, helvetica, sans-serif;"&gt;&lt;a href="http://globalvoicesonline.org/author/janine-mendes-franco/" title="View all posts by Janine Mendes-Franco" rel="nofollow" target="_blank"&gt;Janine Mendes-Franco&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;1/12/11&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Today marks &lt;a href="http://repeatingislands.com/2011/01/12/january-12-anniversary-of-earthquake-in-haiti/" rel="nofollow" target="_blank"&gt;one year&lt;/a&gt; since &lt;a href="http://globalvoicesonline.org/specialcoverage/haiti-earthquake-2010/" rel="nofollow" target="_blank"&gt;the devastating earthquake struck Haiti&lt;/a&gt;. Haitian bloggers are remembering…&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;&lt;em&gt;&lt;a href="http://livesayhaiti.blogspot.com/2011/01/remembering.html" rel="nofollow" target="_blank"&gt;The Livesay Haiti Weblog&lt;/a&gt;&lt;/em&gt; writes:&lt;/p&gt; &lt;blockquote&gt;&lt;p&gt;On 1/12/2010 at 4:53pm the landscape of Haiti was irrevocably changed.&amp;nbsp;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;Despite great tribulation and loss the heart and spirit of the people endures.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;Today an entire country stops to remember those they lost. Please pray for them and with them....&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;There is no week in our lives in 38 years that is as vivid and clear in our memories as a year ago this week.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt; &lt;div style=""&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;&lt;img title="PŽtion-ville cemetery" src="http://globalvoicesonline.org/wp-content/uploads/2011/01/Cemetery-2-375x263.jpg" height="263" alt="" width="375" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;p style="text-align: center;"&gt;&lt;i&gt;Pétion-ville cemetery by caribbeanfreephoto, used under a Creative Commons Licence.&lt;/i&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/p&gt;&lt;/div&gt; &lt;p&gt;&lt;em&gt;&lt;a href="http://blog.karljeanjeune.com/2011/01/10/i-remember/" rel="nofollow" target="_blank"&gt;Karlito's Blog&lt;/a&gt;&lt;/em&gt; posts an image that “you possibily have been seeing this image pop up pretty much everywhere on social networks (Facebook, Twitter, BBm) today”, explaining:&lt;/p&gt; &lt;blockquote class="posterous_medium_quote"&gt;&lt;p&gt;Late last night as I was thinking about a way to commemorate the one year anniversary of Haiti”s devastating earthquake, It came to mind that I didn’t need to do much, I just needed to be a survivor, so I created this little image symbolically.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;We need to be there not only to tell a story, the story, our story as we remember it to our children and our grandchildren but also to help built a better and safer future for them. We need to be survivors everyday so that every step we make forward in this life be the reflection of our gratitude for the blessings that God has bestowed upon us everyday since that day. Nothing is greater then the gift of life.&lt;/p&gt;&lt;/blockquote&gt; &lt;div style=""&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;&lt;img title="National Palace" src="http://globalvoicesonline.org/wp-content/uploads/2011/01/Palace-375x277.jpg" height="277" alt="" width="375" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;p style="text-align: right;"&gt;&lt;i&gt;National Palace, by caribbeanfreephoto, used under a Creative Commons Licence&lt;/i&gt;&lt;/p&gt;&lt;/div&gt; &lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;On Twitter, the hashtags for the one-year anniversary of the earthquake are &lt;a href="http://twitter.com/#!/search/%23remember%20%23Haiti" rel="nofollow" target="_blank"&gt;#remember #Haiti&lt;/a&gt; - and Tweeple have been using the micro-blogging platform to do just that.&amp;nbsp;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;Bloggers on the ground in Haiti continue to weigh in. &lt;em&gt;&lt;a href="http://apparentproject.blogspot.com/2011/01/12th.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+TheApparentProjectBlog+%28The+Apparent+Project+Blog%29" rel="nofollow" target="_blank"&gt;The Apparent Project Blog&lt;/a&gt;&lt;/em&gt; writes:&lt;/span&gt;&lt;/p&gt; &lt;blockquote&gt;&lt;p&gt;The last few days have been hard. Somehow I wish the calendar wasn't cyclical, because I'm not really ready to remember what happened a year ago....&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;&amp;nbsp;I heard that they resurrected the Iron Market and it opened yesterday.... It was a place of significance for me and I cried as I saw the beautiful historical marketplace crumpled on the ground in the wake of the quake. I think for me it will be a moment of joy to see it rebuilt. The one thing that is fixed. The one thing that has been restored and repaired.&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt; &lt;p&gt;Indeed, &lt;a href="http://twitter.com/#!/RAMhaiti" rel="nofollow" target="_blank"&gt;@RAMHaiti&lt;/a&gt; posted several tweets about the inauguration of the rebuilt Iron Market&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;…and a few about the stark contrast of the new facility to other areas of the capital:&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;div style=""&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: verdana, helvetica, sans-serif; font-size: small;"&gt;&lt;img title="Tent city, Juvenat" src="http://globalvoicesonline.org/wp-content/uploads/2011/01/Tent-City-375x235.jpg" height="235" alt="" width="375" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;p style="text-align: center;"&gt;Tent city, Juvenat by caribbeanfreephoto, used under a Creative Commons Licence&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt; &lt;p&gt;Today, whether it was through &lt;a href="http://twitter.com/#!/carelpedre" rel="nofollow" target="_blank"&gt;tweets&lt;/a&gt;, &lt;a href="http://tandenou2.blogspot.com/2011/01/12-janvye-2010.html" rel="nofollow" target="_blank"&gt;poetry&lt;/a&gt; or &lt;a href="http://blogs.concernusa.org/2011/01/12/haiti-emergency-8/" rel="nofollow" target="_blank"&gt;suggestions&lt;/a&gt; about ways in which to move forward, there is no doubt that this sad anniversary was top of mind in the regional blogosphere. Perhaps &lt;a href="http://apparentproject.blogspot.com/2011/01/12th.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+TheApparentProjectBlog+%28The+Apparent+Project+Blog%29" rel="nofollow" target="_blank"&gt;Shelley Clay&lt;/a&gt; sums it up best - today is important to remember because it is about the Haitian people:&lt;/p&gt; &lt;blockquote class="posterous_medium_quote"&gt;&lt;p&gt;It is January 12th. A baby is coming into the world today. A country is on her knees today. I will spend my day waiting for news of a boy or girl, probably go down to see the beautiful Iron Market, probably cry a little, hug my kids a lot, and remember what happened one year ago. God Bless Haiti this year!&lt;/p&gt;&lt;/blockquote&gt; &lt;p&gt;&lt;small&gt; &lt;/small&gt;&lt;/p&gt;&lt;div&gt;&lt;small&gt;&lt;em&gt;All photos used in this post are by caribbeanfreephoto, &lt;a href="http://creativecommons.org/licenses/by-nc-sa/2.0/deed.en" rel="nofollow" target="_blank"&gt;used under an Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0) Creative Commons License&lt;/a&gt;. Visit caribbeanfreephoto's flickr photostream &lt;a href="http://www.flickr.com/photos/georgiap/" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;.&lt;/em&gt;&lt;/small&gt;&lt;/div&gt;&lt;small&gt; &lt;/small&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;p /&gt; &lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://harborhomesllc.posterous.com/haitian-remembrances-in-their-own-voices"&gt;Haven at Harbor Homes&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-4341643730337516916?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/4341643730337516916/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/haitian-remembrances-in-their-own.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4341643730337516916'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4341643730337516916'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/haitian-remembrances-in-their-own.html' title='Haitian remembrances, in their own voices'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-3815465851476239173</id><published>2011-01-09T19:31:00.001-07:00</published><updated>2011-01-09T19:31:07.079-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cityspace'/><category scheme='http://www.blogger.com/atom/ns#' term='citylit'/><category scheme='http://www.blogger.com/atom/ns#' term='L.A.'/><category scheme='http://www.blogger.com/atom/ns#' term='Omnivore'/><category scheme='http://www.blogger.com/atom/ns#' term='city'/><category scheme='http://www.blogger.com/atom/ns#' term='mla11'/><category scheme='http://www.blogger.com/atom/ns#' term='links'/><title type='text'>cities rise and fall</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;i&gt;How nice to find a city something to blog (re-purpose) for places, among other functions, also designated citylit destination ~ all the more so when I'm behind on posting. All MLA'd out too, without even attending. Appropriate for places along the way though, all those LA images, plus irresistible "&lt;a href="http://www.mla.org/convention"&gt;MLA in LA&lt;/a&gt;" (aka "MLALA") inspired juxtapositions ~ &lt;a href="http://www.mla.org/pdf/academy_in_hard_times.pdf"&gt;Academy in Hard Times&lt;/a&gt;, &lt;a href="http://www.nytimes.com/2009/04/27/opinion/27taylor.html"&gt;End of the Univeristy as We Know&lt;/a&gt; (and other examples of the genre), &lt;a href="http://en.wikipedia.org/wiki/The_Day_of_the_Locust"&gt;The Day of the Locust&lt;/a&gt; and so on.&lt;/i&gt;    &lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;blockquote class="posterous_long_quote"&gt;    &lt;div class="LeftImage"&gt;&lt;div class="Image"&gt;&lt;img src="http://www.bookforum.com/uploads/upload.000/id06972/article00.jpg" border="0" height="219" alt="" width="220" /&gt;&lt;/div&gt;&lt;/div&gt;  &lt;p&gt;From &lt;i&gt;Lapham's Quarterly&lt;/i&gt;,  a special issue on &lt;a href="http://www.laphamsquarterly.org/magazine/"&gt;The City&lt;/a&gt;. From &lt;i&gt;City Journal&lt;/i&gt;, Victor Davis Hanson on the &lt;a href="http://www.city-journal.org/2010/20_4_destiny-of-cities.html"&gt;destiny of cities&lt;/a&gt;: Throughout history, forces both natural and human have made cities rise and fall; Asian megacities, free and unfree: How &lt;a href="http://www.city-journal.org/2010/20_4_asian-megacities.html"&gt;politics has shaped the growth&lt;/a&gt; of Shanghai, Beijing, and Seoul; and Brandon Fuller and Paul Romer on &lt;a href="http://www.city-journal.org/2010/20_4_charter-cities.html"&gt;cities from scratch&lt;/a&gt; and a new path for development. From &lt;i&gt;THES&lt;/i&gt;, a &lt;a href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;amp;storycode=414274"&gt;review&lt;/a&gt; of &lt;i&gt;The Just City&lt;/i&gt; by Susan S. Fainstein; and a &lt;a href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;amp;storycode=414337"&gt;review&lt;/a&gt; of &lt;i&gt;City Life&lt;/i&gt; by Adrian Franklin. There is a growing understanding that it is actually &lt;a href="http://www.newgeography.com/content/001892-love-and-city"&gt;“love” that will be the prime force&lt;/a&gt; in the future economy of successful 21st century cities. The 30 most dynamic cities on Earth: Which metropolis is &lt;a href="http://www.theatlantic.com/business/archive/2010/12/30-most-dynamic-cities-in-the-world/67234/"&gt;leading the world out of the recession&lt;/a&gt;? The answer is Istanbul — and the rest of the list is equally surprising. Mario Polese on seven reasons why &lt;a href="http://www.city-journal.org/2010/20_4_big-cities.html"&gt;big cities&lt;/a&gt; matter more than ever. Ross Perlin on &lt;a href="http://www.laphamsquarterly.org/roundtable/roundtable/ten-megacities-of-the-near-future.php"&gt;ten megacities of the near future&lt;/a&gt;. What makes a city grow and thrive, and &lt;a href="http://www.nytimes.com/2010/12/19/magazine/19Urban_West-t.html"&gt;what causes it to stagnate and fall&lt;/a&gt;? Geoffrey West thinks the tools of physics can give us the answers. Tom Vanderbilt on &lt;a href="http://www.slate.com/id/2278883/entry/2278875/"&gt;how a planned highway can change a city&lt;/a&gt;, even if it never gets built. A new era for the &lt;a href="http://www.newgeography.com/content/001946-a-new-era-for-the-city-state"&gt;city-state&lt;/a&gt;: Joel Kotkin on the New World Order. An article on predicting the &lt;a href="http://www.scientificamerican.com/article.cfm?id=predicting-the-climate-changed-city"&gt;climate-changed city&lt;/a&gt; of the future. An innovator in every apartment: Conor Friedersdorf on how &lt;a href="http://www.city-journal.org/2010/20_4_snd-city-regulations.html"&gt;cities should unravel&lt;/a&gt; their pre-digital regulations.&lt;/p&gt;    &lt;div class="Tools"&gt;&lt;ul&gt;&lt;li&gt;&lt;div&gt;&lt;p&gt;&lt;a href="http://www.bookforum.com/blog/6972#"&gt;Connect&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/li&gt;&lt;li class="last"&gt;&lt;p&gt;&lt;a href="http://www.bookforum.com/blog/6972"&gt;Permalink&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.bookforum.com/blog/6972"&gt;bookforum.com&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt; &lt;p /&gt;&lt;p&gt;&lt;i&gt; ... time enough tomorrow (or whenever the rest of the convention post-mortems roll in) to blog collected observations and links.&lt;/i&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/cities-rise-and-fall"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-3815465851476239173?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/3815465851476239173/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/cities-rise-and-fall.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/3815465851476239173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/3815465851476239173'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/cities-rise-and-fall.html' title='cities rise and fall'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-4790675505774820505</id><published>2011-01-04T21:09:00.010-07:00</published><updated>2011-01-04T21:32:31.218-07:00</updated><title type='text'>Art as a public good</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;a href="http://anticap.files.wordpress.com/2011/01/20040822-gb-1745_lg.jpg"&gt;&lt;img alt="" class="alignnone size-full wp-image-5705" height="460" src="http://anticap.files.wordpress.com/2011/01/20040822-gb-1745_lg.jpg?w=614&amp;amp;h=460" title="Mosaic on former University Art Museum at U.C. Berkeley" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://theoryclass.wordpress.com/2011/01/01/beauty-as-a-public-good/" target="_blank"&gt;Aviad Heifetz&lt;/a&gt; makes the case for treating beauty as a public good, and therefore for public funding of the arts.&lt;br /&gt;&lt;blockquote class="posterous_medium_quote"&gt;&lt;i&gt;Beauty cannot be provisioned in a decentralized market. Unlike with vaccinations, the problem has nothing to do with free riding. The point is that there is no way in which beauty can be marketed: there can be no promo to genuine surprise. We cannot form demand for an experience which will alter our outlook, because the new outlook makes no sense to us before we actually have it. Our only chance to have beauty is to commission it by a centralized, public initiative.&lt;/i&gt;&lt;/blockquote&gt;One argument Heifetz doesn’t make is that, in the midst of the Second Great Depression, public funding of the arts would put people back to work. Just as the &lt;a href="http://en.wikipedia.org/wiki/Works_Progress_Administration" target="_blank"&gt;Works Progress Administration&lt;/a&gt; did during the first Great Depression. Together, the &lt;a href="http://www.loc.gov/rr/program/bib/newdeal/fap.html" target="_blank"&gt;Federal Art Project&lt;/a&gt;, the &lt;a href="http://www.loc.gov/rr/program/bib/newdeal/fmp.html" target="_blank"&gt;Federal Music Project&lt;/a&gt;, the &lt;a href="http://memory.loc.gov/ammem/fedtp/fthome.html" target="_blank"&gt;Federal Theatre Project&lt;/a&gt;, and the &lt;a href="http://memory.loc.gov/wpaintro/wpafwp.html" target="_blank"&gt;Federal Writers&amp;nbsp; Project&lt;/a&gt; provided employment to thousands of struggling cultural workers and gave the nation hundreds of thousands of new cultural artifacts. Visual artists decorated post offices, schools and other public buildings with murals, canvases and sculptures; musicians were to perform with symphony orchestras and community singing concerts; new forms of theater were created in New York City, while touring companies traveled the country performing old and new plays; and published state and local guidebooks, organized archives, indexed newspapers. and collected folklore and oral history interviews.&lt;br /&gt;Yes, beauty is a public good and, especially right now, we could use a lot more of it.&lt;br /&gt;&lt;div class="possibly-related" style="margin-top: 1em;"&gt;&lt;hr /&gt;&lt;strong&gt;Possibly related posts: (automatically generated)&lt;/strong&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://laflog.wordpress.com/2009/07/10/why-do-we-fund-the-arts-part-i/" rel="related nofollow"&gt;Why do we fund the arts? Part I&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.depthinprblog.com/2009/02/25/up-with-the-art/" rel="related nofollow"&gt;Up with the Art!&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://anticap.wordpress.com/2011/01/04/art-as-a-public-good/"&gt;anticap.wordpress.com&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://mountainairnm.posterous.com/art-as-a-public-good-occasional-links-comment"&gt;Mountainair NM&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-4790675505774820505?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/4790675505774820505/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/art-as-public-good-occasional-links.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4790675505774820505'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/4790675505774820505'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2011/01/art-as-public-good-occasional-links.html' title='Art as a public good'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-160931680591002920</id><published>2010-11-23T18:00:00.001-07:00</published><updated>2010-11-23T18:00:06.469-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='books'/><category scheme='http://www.blogger.com/atom/ns#' term='blogging'/><category scheme='http://www.blogger.com/atom/ns#' term='reading'/><category scheme='http://www.blogger.com/atom/ns#' term='literature'/><category scheme='http://www.blogger.com/atom/ns#' term='essays'/><category scheme='http://www.blogger.com/atom/ns#' term='writing'/><title type='text'>Blogger Lit or Meet the Urbloggers</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;h2 class="blog-title"&gt;What Bloggers Owe Montaigne&lt;/h2&gt;    			&lt;p class="blog-date"&gt;November 12, 2010&amp;nbsp;|&amp;nbsp;by &lt;a href="http://www.theparisreview.org/blog/author/sbakewell/" title="Posts by Sarah Bakewell"&gt;Sarah Bakewell&lt;/a&gt;&lt;/p&gt;    			&lt;div class="blog-copy"&gt;    				&lt;p&gt;&lt;img title="Montaigne" class="alignleft size-full wp-image-7716" src="http://www.theparisreview.org/blog/wp-content/uploads/2010/11/montaigne.jpg" height="370" alt="" width="270" /&gt;The weekend newspapers are full of them. Our computer screens are full of them. They go by different names—columns, opinion pieces, diaries, blogs—but personal essays are alive and well in the twenty-first century. They flourish just as they did in James Thurber’s and E. B. White’s twentieth-century New York, or in the nineteenth-century London of William Hazlitt and Charles Lamb. There seems no end to the appeal of the essayist’s basic idea: that you can write spontaneously and ramblingly about yourself and your interests, and that the world will love you for it.    &lt;/p&gt;&lt;p&gt;No end—but there was a beginning. The essay tradition blossomed in English-speaking countries only after being invented by a sixteenth-century Frenchman, Michel Eyquem de Montaigne. His contemporary, the English writer Francis Bacon, also used the title &lt;em&gt;Essays&lt;/em&gt;, but his were well-organized intellectual inquiries. While Bacon was assembling his thoughts neatly, the self-avowedly lazy nobleman and winegrower Montaigne was letting his run riot on the other side of the Channel. In his &lt;em&gt;Essais&lt;/em&gt; (“Attempts”), published in 1580 and later expanded into larger editions, he wrote as if he were chatting to his readers: just two friends, whiling away an afternoon in conversation.&lt;/p&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.theparisreview.org/blog/2010/11/12/what-bloggers-owe-montaigne/"&gt;theparisreview.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;i&gt;Without hesitation or combing through the classics (maybe later), I nominate Montaigne, &lt;a href="http://en.wikipedia.org/wiki/Essays_(Montaigne)"&gt;essays&lt;/a&gt; published in 1580, as likeliest candidate for 'first among urbloggers.'  Montaigne's invention, the literary form of essay, a short subjective treatment of a given topic, is the made-for-blogging genre, just as aphorisms are for tweeting.  &lt;/i&gt;&lt;/p&gt;&lt;p /&gt;&lt;p&gt;Fast forwarding to the Enlightenment, salons and London Coffee House culture, writers there would have taken to blogging like second nature and put us all to shame. &lt;i /&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/blogger-lit-or-meet-the-urbloggers"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-160931680591002920?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/160931680591002920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/blogger-lit-or-meet-urbloggers.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/160931680591002920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/160931680591002920'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/blogger-lit-or-meet-urbloggers.html' title='Blogger Lit or Meet the Urbloggers'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-5074434936830276950</id><published>2010-11-21T19:50:00.001-07:00</published><updated>2010-11-21T19:50:24.230-07:00</updated><title type='text'>Extolling the Benefits of Local Holiday Shopping</title><content type='html'>&lt;div class='posterous_autopost'&gt;  &lt;div class="body" style="float: right; font-size: 1.2em; line-height: 1.8em; display: inline; padding: 0px; margin: 0px;"&gt;  &lt;div class="inner" style="margin-top: 15px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding: 0px;"&gt;  &lt;div class="posterous_bookmarklet_entry" style="padding: 0px; margin: 0px;"&gt;  &lt;div style="padding: 0px; margin: 0px;"&gt;&lt;img class="mt-image-none" src="http://www.treehugger.com/local%20shopping-2.jpg" height="210" alt="local holiday shopping photo" style="padding: 0px; margin: 0px;" width="279" /&gt;  &lt;div style="padding: 0px; margin: 0px;"&gt;&lt;br style="padding: 0px; margin: 0px;" /&gt;&lt;em style="padding: 0px; margin: 0px;"&gt;Photo:&amp;nbsp;&lt;a href="http://www.flickr.com/photos/copleys/3222587526/" style="color: #bc7134; text-decoration: none; padding: 0px; margin: 0px;"&gt;Wellington&lt;/a&gt;&lt;/em&gt;&lt;/div&gt;  &lt;div style="padding: 0px; margin: 0px;"&gt;&lt;em style="padding: 0px; margin: 0px;"&gt;&lt;span style="font-style: normal; font-size: 15.8333px;"&gt;&lt;em style="padding: 0px; margin: 0px;"&gt;&lt;span style="color: #993300;"&gt;Mountainair may not be the South Carolina of the story below but does share similar needs and concerns. The basic equations and elements are the same: jobs, gross revenue tax maintain public services and facilities, dollars back into the community. If anything, "shop local" is even more crucial here ~ but also more problematic.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;  &lt;p style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding: 0px;"&gt;&lt;span style="font-size: 15.8333px;"&gt;We have heard time and time again about the importance of shopping locally but with the&lt;a href="http://planetgreen.discovery.com/home-garden/green-holidays.html" style="color: #bc7134; text-decoration: none; padding: 0px; margin: 0px;"&gt;holiday season&lt;/a&gt;&amp;nbsp;just around the corner it becomes more important than ever. But dollar for dollar what does choosing a local&amp;nbsp;&lt;a href="http://planetgreen.discovery.com/work-connect/online-retailers-footprint-shopping.html" style="color: #bc7134; text-decoration: none; padding: 0px; margin: 0px;"&gt;retailer&lt;/a&gt;&amp;nbsp;mean for your community? When push comes to shove, it's a lot more than wasting fossil fuels on goods flown in. Local shopping puts dollars into your community and keeps the stores that make your community unique in business.&lt;/span&gt;&lt;/p&gt;  &lt;div class="entry-more" style="padding: 0px; margin: 0px;"&gt;&lt;a name="more" style="color: #999999; text-decoration: none; padding: 0px; margin: 0px;"&gt;&lt;/a&gt;  &lt;p style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding: 0px;"&gt;This year my Columbia, S.C. community is making a big push toward shopping locally this holiday season. And in a town where each week I watch a&amp;nbsp;&lt;a href="http://www.treehugger.com/files/2009/12/a-listers-do-your-holiday-shopping.php" style="color: #bc7134; text-decoration: none; padding: 0px; margin: 0px;"&gt;local&lt;/a&gt;&amp;nbsp;store go bankrupt due to a difficult economy and huge retail competition, this is a long time coming.&lt;/p&gt;  &lt;p style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding: 0px;"&gt;According to an article in&amp;nbsp;&lt;em style="padding: 0px; margin: 0px;"&gt;&lt;a href="http://www.thestate.com/2010/11/19/1568247/benefits-of-local-shopping-stressed.html" style="color: #bc7134; text-decoration: none; padding: 0px; margin: 0px;"&gt;The State&lt;/a&gt;&lt;/em&gt;,&lt;/p&gt;  &lt;blockquote style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 10px; border-left-width: 4px !important; border-left-style: solid !important; border-left-color: #dddddd !important;"&gt;&lt;a href="http://www.scsbc.org/buysc.aspx/" style="color: #bc7134; text-decoration: none; padding: 0px; margin: 0px;"&gt;BuySC.org&lt;/a&gt;, a website from the S.C. Small Business Chamber of Commerce, lets consumers search for local retailers by county or category. Listings for businesses are free but can be upgraded for a fee.&lt;/blockquote&gt;  &lt;p style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding: 0px;"&gt;And shopping at smaller retailers benefits your community more than you may know. When you spend $100 at a local store, $45 of those dollars stay in your community but when you spend $100 at a multinational store only $13 of those dollars stay in your economy. And what's more, if you want local choice, you have to support these stores or they won't last. While up front your costs may be a bit more, supporting your local economy means more jobs, more choice, and the opportunity to support the ideals that you find important with your dollars.&lt;/p&gt;  &lt;p style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding: 0px;"&gt;Parnick Jennings, co-founder of the Bartow Business Connection, detailed the sobering facts of local patronage.&lt;/p&gt;  &lt;blockquote class="posterous_medium_quote" style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding-top: 0px; padding-right: 18px; padding-bottom: 0px; padding-left: 22px; border-left-width: 4px !important; border-left-color: #dddddd !important; font-size: 14px; line-height: normal; font-family: Georgia, Times New Roman, Times, serif;"&gt;If we don't [shop locally], come the first of the year some of our friends are not going to be in business -- I fear that. Last year, there were several that because they did not generate enough business during the holidays, which is the major time they make their money, they won't be here.&lt;/blockquote&gt;  &lt;/div&gt;  &lt;/div&gt;  &lt;div class="posterous_quote_citation" style="margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: 10px; padding: 0px;"&gt;via&amp;nbsp;&lt;a href="http://www.treehugger.com/files/2010/11/extolling-the-benefits-of-local-holiday-shopping.php?campaign=th_rss&amp;amp;utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+treehuggersite+%28Treehugger%29&amp;amp;utm_content=Google+Feedfetcher" style="color: #bc7134; text-decoration: none; padding: 0px; margin: 0px;"&gt;treehugger.com&lt;/a&gt;&lt;/div&gt;  &lt;p style="margin-top: 15px; margin-right: 0px; margin-bottom: 18px; margin-left: 0px; padding: 0px;"&gt;&lt;span style="color: #993300;"&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt;  &lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://mountainairnm.posterous.com/extolling-the-benefits-of-local-holiday-shopp"&gt;Mountainair NM&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-5074434936830276950?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/5074434936830276950/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/extolling-benefits-of-local-holiday.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5074434936830276950'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5074434936830276950'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/extolling-benefits-of-local-holiday.html' title='Extolling the Benefits of Local Holiday Shopping'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-6699551823414440152</id><published>2010-11-17T18:50:00.001-07:00</published><updated>2010-11-17T18:50:57.159-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='places'/><category scheme='http://www.blogger.com/atom/ns#' term='Hispanic cuture'/><category scheme='http://www.blogger.com/atom/ns#' term='Europe'/><category scheme='http://www.blogger.com/atom/ns#' term='Spain'/><title type='text'>Virtually, Spain</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;div class="Topper"&gt;&lt;h3&gt;&lt;a name="entry6731" href="http://www.bookforum.com/blog/6731"&gt;Left in Europe&lt;/a&gt;&lt;/h3&gt;  &lt;br /&gt;  &lt;div class="LeftImage"&gt;&lt;div class="Image"&gt;&lt;center&gt;&lt;img src="http://www.bookforum.com/uploads/upload.000/id06731/article00.jpg" border="0" height="155" alt="" width="220" /&gt;&lt;/center&gt;&lt;/div&gt;&lt;/div&gt;  &lt;p&gt;From Geocurrents, a special series on the &lt;a href="http://www.geocurrents.info/index.php?id=1120805340462676861"&gt;nation, nationalities, and autonomous regions&lt;/a&gt; in Spain, including the nation/nationality of &lt;a href="http://www.geocurrents.info/index.php?id=2277872070543001867"&gt;Catalonia&lt;/a&gt;, the contested regionalism in &lt;a href="http://www.geocurrents.info/index.php?id=4738313015694112854"&gt;Andalusia, Leon, and Asturias&lt;/a&gt;, the paradoxes of &lt;a href="http://www.geocurrents.info/index.php?id=4438147650981142456"&gt;Basque politics&lt;/a&gt;, the parallel paths of the &lt;a href="http://www.geocurrents.info/index.php?id=8475983579268607751"&gt;Basque County and Scotland&lt;/a&gt;, the Basques of &lt;a href="http://geocurrentevents.blogspot.com/2010/09/basques-of-saint-pierre-and-miquelon.html"&gt;Saint Pierre and Miquelon&lt;/a&gt;, and a look at Spain and the &lt;a href="http://geocurrentevents.blogspot.com/2010/09/spain-bolivia-iraq-and-fallacy-of.html"&gt;fallacy of the nation-state&lt;/a&gt;.&lt;/p&gt;&lt;/div&gt;&lt;/blockquote&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/virtually-spain"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-6699551823414440152?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/6699551823414440152/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/virtually-spain.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6699551823414440152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6699551823414440152'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/virtually-spain.html' title='Virtually, Spain'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-5251645381586116756</id><published>2010-11-17T18:29:00.001-07:00</published><updated>2010-11-17T18:29:47.465-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cityspace'/><category scheme='http://www.blogger.com/atom/ns#' term='citylit'/><category scheme='http://www.blogger.com/atom/ns#' term='Omnivore'/><category scheme='http://www.blogger.com/atom/ns#' term='city'/><category scheme='http://www.blogger.com/atom/ns#' term='Book Forum'/><title type='text'>urbanites and their cities</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;div class="Topper"&gt;&lt;h1&gt;&lt;a name="entry6729" href="http://www.bookforum.com/blog/6729"&gt;Urbanites and their cities&lt;/a&gt;&lt;/h1&gt;&lt;div class="Dateline"&gt;&lt;h6&gt;&lt;a href="http://www.bookforum.com/blog/archive/20101117#entry6729"&gt;1:00PM&lt;/a&gt;&lt;/h6&gt;&lt;h6&gt;&lt;a href="http://www.bookforum.com/blog/archive/20101117"&gt;Nov 17 2010&lt;/a&gt;&lt;/h6&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="LeftImage"&gt;&lt;div class="Image"&gt;&lt;img src="http://www.bookforum.com/uploads/upload.000/id06729/article00.jpg" border="0" height="136" alt="" width="220" /&gt;&lt;/div&gt;&lt;/div&gt;  &lt;p&gt;Andrey Korotayev (RSU): &lt;a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1703534"&gt;The World System Urbanization Dynamics&lt;/a&gt;: A Quantitative Analysis. William A. Fischel (Dartmouth): &lt;a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1686009"&gt;The Evolution of Zoning Since the 1980s&lt;/a&gt;: The Persistence of Localism. Urban-rural divide no more: An increasing number of urban dwellers are &lt;a href="http://www.prospect.org/cs/articles?article=urban_rural_divide_no_more"&gt;retreating to the country&lt;/a&gt; — and taking the city with them. Witold Rybczynski, author of &lt;i&gt;Makeshift Metropolis: Ideas About Cities&lt;/i&gt;, on &lt;a href="http://www.slate.com/id/2272647/"&gt;the cities we want&lt;/a&gt; (and &lt;a href="http://www.slate.com/id/2273573/"&gt;part 2&lt;/a&gt; — and a &lt;a href="http://online.wsj.com/article/SB10001424052748703805704575594220901990014.html"&gt;review&lt;/a&gt;). Could the increasingly complex systems needed to manage the &lt;a href="http://hilobrow.com/2010/08/26/into-the-void-8/"&gt;next generation of megacities&lt;/a&gt; become our first true artificial intelligence? An interview with &lt;a href="http://www.foreignpolicy.com/articles/2010/08/27/miami_swoon"&gt;Saskia Sassen&lt;/a&gt;: Forget London and New York, the rest of the world should want to be the next Miami. A &lt;a href="http://reviewcanada.ca/reviews/2010/09/01/the-mystery-of-cities/"&gt;review&lt;/a&gt; of &lt;i&gt;The Wealth and Poverty of Regions: Why Cities Matter&lt;/i&gt; by Mario Polese. Boosters still maintain that big cities remain &lt;a href="http://american.com/archive/2010/august/urban-plight-vanishing-upward-mobility"&gt;unique centers for social uplift&lt;/a&gt;, but evidence suggests this is increasingly no longer the case. From New Geography, Zachary Neal on why &lt;a href="http://www.newgeography.com/content/001759-cities-size-does-not-matter-much-anymore"&gt;city size&lt;/a&gt; does not matter much anymore. &lt;a href="http://actrees.org/site/news/newsroom/how_to_shrink_a_city.php"&gt;How to shrink a city&lt;/a&gt;:  Not every great metropolis is going to make a comeback — planners  consider some radical ways to embrace decline. Megacities: Here is &lt;i&gt;Foreign Policy&lt;/i&gt;'s guide to the &lt;a href="http://www.foreignpolicy.com/articles/2010/08/16/prime_numbers_megacities"&gt;coming urban age&lt;/a&gt;. From H-Net, a review of &lt;a href="http://www.h-net.org/reviews/showrev.php?id=30659"&gt;books on North African and Middle Eastern cities&lt;/a&gt;. How will &lt;a href="http://www.voxeu.org/index.php?q=node/5495"&gt;climate change&lt;/a&gt; impact urbanites and their cities? &lt;a href="http://zocalopublicsquare.org/thepublicsquare/2010/10/26/why-capitalism-could-save-us-from-climate-change/read/event-rundown/"&gt;Matthew Kahn&lt;/a&gt; on his book &lt;i&gt;Climatopolis: How Our Cities Will Thrive in the Hotter Future&lt;/i&gt;. Alphabet City: What does a &lt;a href="http://maisonneuve.org/pressroom/article/2010/oct/12/alphabet-city/"&gt;city’s signage&lt;/a&gt; tell you about its character? The &lt;a href="http://press.princeton.edu/titles/9334.html"&gt;introduction&lt;/a&gt; to &lt;i&gt;Noir Urbanisms: Dystopic Images of the Modern City&lt;/i&gt;. Sustainable urban mobility in 2020: To make the car of the future, we need to make the &lt;a href="http://www.wfs.org/content/sustainable-urban-mobility-2020"&gt;city of the future&lt;/a&gt;. Here is a &lt;a href="http://www.utne.com/science-and-technology/public-transportation-solution-straddling-bus.aspx"&gt;radical public transportation solution&lt;/a&gt; straight out of a sci-fi novel.&lt;/p&gt;&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.bookforum.com/blog/6729"&gt;bookforum.com&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/urbanites-and-their-cities"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-5251645381586116756?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/5251645381586116756/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/urbanites-and-their-cities.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5251645381586116756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5251645381586116756'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/urbanites-and-their-cities.html' title='urbanites and their cities'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-329310850661572882</id><published>2010-11-16T11:26:00.001-07:00</published><updated>2010-11-16T11:26:27.188-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gone but not forgotten'/><category scheme='http://www.blogger.com/atom/ns#' term='Facebook'/><category scheme='http://www.blogger.com/atom/ns#' term='culture'/><category scheme='http://www.blogger.com/atom/ns#' term='novelists'/><category scheme='http://www.blogger.com/atom/ns#' term='death'/><category scheme='http://www.blogger.com/atom/ns#' term='dead end ideas'/><category scheme='http://www.blogger.com/atom/ns#' term='Google'/><category scheme='http://www.blogger.com/atom/ns#' term='animal rights'/><category scheme='http://www.blogger.com/atom/ns#' term='obsolescence'/><category scheme='http://www.blogger.com/atom/ns#' term='lost causes'/><title type='text'>unlikely to go anywhere</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;div class="Topper"&gt;&lt;h1&gt;&lt;a name="entry6717" href="http://www.bookforum.com/blog/6717"&gt;Unlikely to go anywhere&lt;/a&gt;&lt;/h1&gt;&lt;div class="Dateline"&gt;&lt;h6&gt;&lt;a href="http://www.bookforum.com/blog/archive/20101116#entry6717"&gt;11:00AM&lt;/a&gt;&lt;/h6&gt;&lt;h6&gt;&lt;a href="http://www.bookforum.com/blog/archive/20101116"&gt;Nov 16 2010&lt;/a&gt;&lt;/h6&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="LeftImage"&gt;&lt;div class="Image"&gt;&lt;div class="LogoWrapper" style="height: 152;"&gt;&lt;div class="Logo"&gt;&lt;a href="http://artforum.com/guide/country=CN&amp;amp;place=regional%3ABeijing#location8450" target="_blank"&gt;&lt;img src="http://www.bookforum.com/media/logo_artguide.png" border="0" height="30" alt="" width="65" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://artforum.com/guide/country=CN&amp;amp;place=regional%3ABeijing#location8450" target="_blank"&gt;&lt;img src="http://www.bookforum.com/uploads/upload.000/id06717/exhibition.jpg" border="0" height="152" alt="" width="220" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;  &lt;p&gt;Wolfgang Nedobity (Vienna): &lt;a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1702198"&gt;Casanova and the Italian Taste&lt;/a&gt;. The world is lousy with &lt;a href="http://moreintelligentlife.com/content/arts/alix-christie/we-ten-million"&gt;aspiring novelists&lt;/a&gt; who will probably never be published; Alix Christie offers insight into what keeps them working. From &lt;i&gt;The Chronicle&lt;/i&gt;, apes and monkeys, dogs and cats are being &lt;a href="http://chronicle.com/article/Animal-Research-Groupthink-in/125238/"&gt;unnecessarily confined, vivisected, and killed&lt;/a&gt; while animal advocates are ignored as a lunatic fringe; the &lt;a href="http://chronicle.com/article/Animal-Research-Why-We-Need/125240/"&gt;cruelty of much animal experimentation&lt;/a&gt; cannot be justified on scientific grounds, because it has proved largely unproductive; and &lt;a href="http://chronicle.com/article/Animal-Research-Activists/125247/"&gt;letter-writing campaigns&lt;/a&gt; may ease consciences, but they won't cure diseases. David Weigel on &lt;a href="http://www.slate.com/id/2274219/"&gt;Pete Peterson's unserious campaign&lt;/a&gt; to get America to think seriously about the national debt. Annie Lowrey on why the &lt;a href="http://www.slate.com/id/2274458/"&gt;deficit commission's proposal&lt;/a&gt; is unlikely to go anywhere. Moral judgments in social dilemmas: &lt;a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1702172"&gt;How bad is free riding&lt;/a&gt;? Die, Phone Book, Die: After a decade of obsolescence, the &lt;a href="http://www.fastcompany.com/1701851/death-of-the-phone-book"&gt;local phone directory&lt;/a&gt; is finally getting the chop as states wise up to reality. Hope, change, reality: Attorney General &lt;a href="http://www.gq.com/news-politics/politics/201012/eric-holder-attorney-general-rahm-emanuel-white-house-elections"&gt;Eric Holder&lt;/a&gt; entered the Justice Department on a mission to reinvent it —  unfortunately, Washington doesn't like an idealist. Year-end best-of lists can make for  predictable reading — does anyone  not know that Jonathan Franzen wrote  the big novel of 2010? Instead, &lt;i&gt;Bookforum&lt;/i&gt; asked the authors of our favorites to tell us &lt;a href="http://www.bookforum.com/inprint/017_04/6673"&gt;what they liked reading this year&lt;/a&gt;. In the grip of the  new monopolists: Do away with Google, break up Facebook? &lt;a href="http://online.wsj.com/article/SB10001424052748704635704575604993311538482.html"&gt;We can't imagine life without them&lt;/a&gt; — and that's the problem. Fool's Gold: Why the &lt;a href="http://www.foreignpolicy.com/articles/2010/11/10/fool_s_gold"&gt;idea of a gold standard&lt;/a&gt; is best relegated to the dustbin of history (and &lt;a href="http://www.slate.com/id/2274225/"&gt;more&lt;/a&gt;). Are we hardwired to &lt;a href="http://online.wsj.com/article/SB10001424052748703514904575602800935807896.html"&gt;love taxes&lt;/a&gt;? Jonah Lehrer on feeling rich, poor or overtaxed. Why conspiracy theorists think &lt;i&gt;The Simpsons&lt;/i&gt; may have &lt;a href="http://www.observer.com/2010/culture/why-conspiracy-theorists-think-simpsons-predicted-911"&gt;predicted 9/11&lt;/a&gt;. Police State  2010: A series on &lt;a href="http://www.slate.com/id/2270853/"&gt;American MP's in Kandahar&lt;/a&gt;. Bringing the coffin industry back from the dead: How &lt;a href="http://www.theatlantic.com/magazine/archive/2010/12/bringing-the-coffin-industry-back-from-the-dead/8294"&gt;barcodes and touch screens&lt;/a&gt; are resuscitating a casket factory.&lt;/p&gt;&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.bookforum.com/blog/6717"&gt;bookforum.com&lt;/a&gt;&lt;/div&gt; &lt;p&gt;another interesting, semi-themed collection of annotated links from Omnivore, the Book Forum blog, xblogged to flâneuse, arts and places ("nowhere" is a place, isn't it? An "unplace" at the very least.&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via email&lt;/a&gt;  from &lt;a href="http://meanderingsandmusings.posterous.com/unlikely-to-go-anywhere"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-329310850661572882?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/329310850661572882/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/unlikely-to-go-anywhere.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/329310850661572882'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/329310850661572882'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/11/unlikely-to-go-anywhere.html' title='unlikely to go anywhere'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-6923909312340609078</id><published>2010-08-19T23:10:00.000-06:00</published><updated>2010-08-19T23:10:08.272-06:00</updated><title type='text'>Grand Central Station, Main Concourse</title><content type='html'>&lt;div&gt;Definitely belongs among places along the way and worth more than just the cursory glance. Let's just say I have a (cyber) connection to make but will be back this way.  Click to view larger image.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;center&gt;&lt;a href="http://en.wikipedia.org/wiki/File:Grand_Central_test.jpg"&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Grand_Central_test.jpg/260px-Grand_Central_test.jpg" alt="Grand Central test.jpg" /&gt;&lt;/a&gt;&lt;/center&gt;&lt;center&gt;&lt;span class="Apple-style-span" style="font-family: sans-serif; font-size: 14.1667px; line-height: 24px; -webkit-border-horizontal-spacing: 7px; -webkit-border-vertical-spacing: 7px; "&gt;&lt;i&gt;View inside the Main Concourse, facing east&lt;/i&gt;&lt;/span&gt;&lt;/center&gt;&lt;a href="http://en.wikipedia.org/wiki/File:Grand_Central_test.jpg"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: 15.8333px; "&gt;&lt;a href="http://www.metropolismag.com/pov/20100817/places-that-work-i-grand-central-station%e2%80%99s-main-concourse?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+MetropolisPOV+%28Metropolis+POV%29&amp;amp;utm_content=Google+Feedfetcher"&gt;Places that Work: I. Grand Central Station’s Main Concourse | Metropolis POV | Metropolis Magazine&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Train stations, like rivers or beaches, would make an interesting subcategory, a way to compare subsets of the city or nature.  Train stations I have known: Atocha, Candanchu, Gare du Sud, Gare du Nord, Müunchen Bahnhof, Los Angeles, San Diego, Ramses Station (Cairo), Gare du Lyon, Gempf. Even shabby train stations have a charm even the best appointed bus station lacks. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-6923909312340609078?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.metropolismag.com/pov/20100817/places-that-work-i-grand-central-station%e2%80%99s-main-concourse?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+MetropolisPOV+%28Metropolis+POV%29&amp;utm_content=Google+Feedfetcher' title='Grand Central Station, Main Concourse'/><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/6923909312340609078/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/08/grand-central-station-main-concourse.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6923909312340609078'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/6923909312340609078'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/08/grand-central-station-main-concourse.html' title='Grand Central Station, Main Concourse'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-5094270781959309363</id><published>2010-08-13T18:13:00.001-06:00</published><updated>2010-08-31T17:29:59.373-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='urban'/><category scheme='http://www.blogger.com/atom/ns#' term='sense of place'/><category scheme='http://www.blogger.com/atom/ns#' term='rural'/><category scheme='http://www.blogger.com/atom/ns#' term='home'/><title type='text'>where is home?</title><content type='html'>&lt;div&gt;&lt;i&gt;A perennial question and quest for the place-sensitive person considering places along way. Not just &lt;b&gt;where&lt;/b&gt; home is but &lt;b&gt;what &lt;/b&gt;as well. Why are some of us more obsessed with the question than others? Are the homeless minds looking for homes more sensitive to place than the rooted for whom places are eternally divided into home and elsewhere, alien, not home? &lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Although the blog mission is to explore specific places, "homeness" (not necessarily the same as &lt;/i&gt;heimlich &lt;i&gt;but related) goes the &lt;b&gt;why &lt;/b&gt;of the matter. The following is reposted from the &lt;a href="http://www.bookforum.com/blog"&gt;Bookforum blog&lt;/a&gt;. More than a few take on the the question of home, others alterity and manufactured roots.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: medium; line-height: 20px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: medium; line-height: 20px;"&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="LeftImage" style="display: inline; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; width: auto;"&gt;&lt;div class="Image" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(194, 194, 194); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(194, 194, 194); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(194, 194, 194); border-top-style: solid; border-top-width: 1px; display: inline; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;"&gt;&lt;div class="LogoWrapper" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div class="Logo" style="bottom: 0px; display: inline; float: left; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: absolute; right: 0px;"&gt;&lt;a href="http://artforum.com/guide/country=US&amp;amp;place=New%20York&amp;amp;jump=339#location339" style="color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;&lt;img alt="" border="0" height="30" src="http://www.bookforum.com/media/logo_artguide.png" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="65" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://artforum.com/guide/country=US&amp;amp;place=New%20York&amp;amp;jump=339#location339" style="color: black; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"&gt;&lt;img alt="" border="0" height="168" src="http://www.bookforum.com/uploads/upload.000/id06213/exhibition.jpg" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="220" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div size="18px" style="color: #333333; font-weight: normal; line-height: 1.4em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;A &lt;a href="http://wires.wiley.com/WileyCDA/WiresIssue/wisId-WCS_1_4.html" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;new issue&lt;/a&gt; of &lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Wiley Interdisciplinary Reviews: Cognitive Science&lt;/i&gt; is out. Did Alcoholics Anonymous “dumb down” the &lt;a href="http://www.yalealumnimagazine.com/issues/2010_07/artsshapiro068.html" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Serenity Prayer&lt;/a&gt;? From &lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Smithsonian&lt;/i&gt;, a look at how George Lucas and Stephen Spielberg found inspiration for their films in the work of &lt;a href="http://www.smithsonianmag.com/arts-culture/Norman-Rockwells-Storytelling-Lessons.html" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Norman Rockwell&lt;/a&gt;, one of America’s most cherished illustrators. From &lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Saturday Evening Post&lt;/i&gt;, Norman Rockwell was raised in New York City, but loved painting the more simple life of the country — he created a city slicker, &lt;a href="http://www.saturdayeveningpost.com/2010/06/26/art-literature/artists-illustrators/illustrator-norman-rockwell/norman-rockwells-cousin-reginald.html" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Cousin Reginald&lt;/a&gt;, who visited his country cousins and proceeded to show what a city boy he was; and in 1958, William Peter Blatty, a publicist and aspiring author (&lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;The Exorcist&lt;/i&gt;), wanted to see how hard it would be to &lt;a href="http://www.saturdayeveningpost.com/2010/06/17/archives/retrospective/author-royal-scam-fun.html" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;fake nobility among Americans&lt;/a&gt; — it proved to be too easy. A &lt;a href="http://www.h-net.org/reviews/showrev.php?id=29670" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;review&lt;/a&gt; of &lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;The Rise and Fall of the Second Largest Empire in History: How Genghis Khan's Mongols Almost Conquered the World&lt;/i&gt; by Thomas J. Craughwell. A look at &lt;a href="http://bygonebureau.com/2010/07/14/horror-movie-scenes/" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;familiar horror movie scenes&lt;/a&gt; that have been ruined by the new iPhone. What if Hitler &lt;a href="http://www.historynet.com/what-if-hitler-had-not-killed-himself.htm" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;had not killed himself&lt;/a&gt;? Mark Grimsley wonders. From &lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Vogue&lt;/i&gt;, an interview with &lt;a href="http://www.vogue.com/voguedaily/2010/08/books-jonathan-franzen-on-his-new-novel-freedom/" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Jonathan Franzen&lt;/a&gt; on the personal roots of his epic new novel, &lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Freedom&lt;/i&gt;. From The Prague Post, expats everywhere face the same question: &lt;a href="http://www.praguepost.com/opinion/5271-its-a-small-world.html" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Where is home&lt;/a&gt;? From The Distributist Review, Joseph Pearce on the &lt;a href="http://distributistreview.com/mag/2010/07/the-education-of-e-f-schumacher/" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;education of E.F. Schumacher&lt;/a&gt;. What killed Kevin Morrissey? How the &lt;a href="http://chronicle.com/article/What-Killed-Kevin-Morrissey-/123902/" style="border-bottom-color: rgb(194, 194, 194); border-bottom-style: solid; border-bottom-width: 1px; color: black; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;death of an editor&lt;/a&gt; threatens the future of&lt;i style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;VQR&lt;/i&gt;, the University of Virginia's prestigious literary review.&lt;/div&gt;&lt;a href="http://www.bookforum.com/blog/6213"&gt;&lt;i&gt;where is home? - bookforum.com / omnivore&lt;/i&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-5094270781959309363?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/5094270781959309363/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/08/where-is-home.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5094270781959309363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/5094270781959309363'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/08/where-is-home.html' title='where is home?'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-7658205803106605208</id><published>2010-06-03T20:41:00.001-06:00</published><updated>2010-08-31T17:28:00.322-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Alexandria'/><category scheme='http://www.blogger.com/atom/ns#' term='blogs'/><category scheme='http://www.blogger.com/atom/ns#' term='sea'/><category scheme='http://www.blogger.com/atom/ns#' term='city'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>Alexandria</title><content type='html'>&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;This is part of my Egypt but not the sum of it, not even the sum of my Alexandria... more to come on both...&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman';"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman';"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Cosmopolitan, glorious, down-at-the-heels shabby, Alexandria has had two golden ages: intellectual capital of the classical world; later the largest port in the eastern Mediterranean in the 19th and early 20th centuries, under the house of Mohammed Ali, Good times or bad, Alexandria is still an international city. Brotherhood true believers replace the Quartet's nationalistic Copts. Consider how the history of cosmopolitan cities might tell us more life in an age of globalization than any history of a nation state.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;First there was literature and travelers' journals. Now we have blogs, phot-sharing sites and online travel guides. Lost Already. a travel blog hosted on commercial travel site,visits &lt;a href="http://www.travelpod.com/travel-blog-entries/lostalready/1/1269553013/tpod.html"&gt;Alexandria, Egypt&lt;/a&gt;. takes pictures but does not appreciate Alex. Philistines, Huxley would call them, so very meh about a city of memory and imagination rivaling New Orleans and Paris - and a place of my heart. Unlettered tourists on stopover, they cannot really know the city.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman';"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman';"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;div style="background-color: white; border: 1px solid #dddddd; font-family: arial, sans-serif; font-size: 10px; margin: 0 auto 5px auto; padding: 4px; width: 111px;"&gt;&lt;img alt="Completely lost in the alleyways" height="320" src="http://images.travelpod.com/users/lostalready/thumbnail.large.1.1269553013.a_6.jpg" width="240" /&gt;&lt;br /&gt;This &lt;a href="http://www.travelpod.com/"&gt;travel blog&lt;/a&gt; photo's source is TravelPod page: &lt;a href="http://www.travelpod.com/travel-blog-entries/lostalready/1/1269553013/tpod.html"&gt;Alexandria - Alexandria, Egypt Travel Blog&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Want to know Alex? Read history, read Cavafy (even if &lt;a href="http://www.bloomberg.com/apps/news?pid=20601088&amp;amp;sid=af_UjxxpzsjQ"&gt;overlooked in modern Alex&lt;/a&gt;).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;In the past two decades, the emergence of Islam as a prime source of identity among many Egyptians made Cavafy’s sensuous subject matter unfashionable. By all accounts, Alexandria is a stronghold of the&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;a href="http://www.ikhwanonline.com/" target="_blank"&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;Muslim Brotherhood&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;, Egypt’s biggest opposition party. The brotherhood wants Egypt ruled under Islamic law. Alexandria was once a place where women strolled in sun dresses, not head scarves and caftans, and where religion was a matter of personal choice, not political campaigning.&lt;span class="Apple-style-span" style="font-family: 'Times New Roman'; font-style: normal;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="line-height: 20px;"&gt;After visiting the museum, I discuss Cavafy at the office of Sobhi Saleh, a Muslim Brotherhood member of parliament. Saleh says Islamic law precludes publishing Cavafy’s poetry.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;In &lt;a href="http://www.poetryfoundation.org/archive/poem.html?id=181790"&gt;Exiles&lt;/a&gt;, however, Cavafy reminds us, "It goes on being Alexandria still." So does Michael Haag's &lt;a href="http://www.guardian.co.uk/books/2004/nov/13/featuresreviews.guardianreview10"&gt;Alexandria: City of Memory&lt;/a&gt;. Searching &lt;a href="http://flickr.com/"&gt;Flickr&lt;/a&gt;&amp;nbsp;for "&lt;a href="http://www.flickr.com/search/?q=alexandria%20egypt&amp;amp;w=all"&gt;Alexandria Egypt&lt;/a&gt;" yields thousands of images from wonders of the ancient world to yesterday's snaps.&amp;nbsp;Here's a better &lt;a href="http://www.travelpod.com/travel-blog-entries/steveandnadine/1/1236687120/tpod.html"&gt;Alex TravelPod blog&lt;/a&gt;. Fewer pictures better feel for the place.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;img alt="The sea after I fell into it." height="241" src="http://images.travelpod.com/users/steveandnadine/thumbnail.large.1.1236687120.the-sea-after-i-fell-into-itx.jpg" width="320" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;The '&lt;a href="http://www.alexandriaegypt.com/"&gt;Pearl of the Mediterranean&lt;/a&gt;' has a homepage too.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;Alexandria has been immortalized by writers such as &lt;a href="http://musicandmeaning.com/forster/"&gt;E.M. Forster&lt;/a&gt; and &lt;a href="http://www.cavafy.com/"&gt;C. P. Cavafy&lt;/a&gt;. Generations of immigrants from Greece, Italy and the Levant settled here and made the city synonymous with commerce, cosmopolitanism and bohemian culture; &lt;a href="http://www.lawrencedurrell.org/"&gt;Lawrence Durrell&lt;/a&gt; (author of the&amp;nbsp;&lt;a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article4618977.ece"&gt;Alexandria Quartet&lt;/a&gt;) described it as " The capital city of Asiatic Europe, if such a thing could exist". &amp;nbsp;&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;/blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Dr. Diboll's book &lt;a href="http://www.mellenpress.com/mellenpress.cfm?bookid=6100&amp;amp;pc=9"&gt;Lawrence Durrell’s Alexandria Quartet in its Egyptian Contexts&lt;/a&gt;&amp;nbsp;examines the many layers of history, politics, mythology and philosophical systems that from the Quartet's - and Alexandria's - context and Alexandrian reality at the end of empire. These include all the civilizations of the city (Pharaonic, Hellenistic, Arab, Turkish, colonial European) its theosophical systems (ritualistic polytheism, neo-Platonism, Gnosticism, Kabbalism, Christianity, Islam, Judaism, and Sufism): and the myriad political forces that have sought dominance. Considering all these various aspects of the city indicates Durrell's interest in deeper issues beyond the merely literary, "that the capital, the heart...of Europe" is located in the "central point. the pivot" in the Mediterranean and to understand our essence and our future we have to know Greece and Egypt.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;img alt="[Alexandria, Egypt]" src="http://saints.sqpn.com/wp-content/gallery/in-bible-lands/alexandria-egypt.jpg" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Alex in the 1880s&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;h2 style="display: inline !important;"&gt;&lt;/h2&gt;&lt;/i&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;h2 style="display: inline !important;"&gt;&lt;span class="Apple-style-span" style="font-size: medium; font-style: normal; font-weight: normal;"&gt;&lt;i&gt;&lt;br /&gt;&lt;br /&gt;&lt;h2 style="display: inline !important;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;The City&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;blockquote&gt;&lt;i&gt;You said, "I will go to another land, I will go to another sea.&lt;/i&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;blockquote&gt;&lt;i&gt;Another city will be found, better than this.&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Every effort of mine is condemned by fate;&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;and my heart is -- like a corpse -- buried.&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;How long in this wasteland will my mind remain.&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Wherever I turn my eyes, wherever I may look&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;I see the black ruins of my life here,&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;where I spent so many years, and ruined and wasted."&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;New lands you will not find, you will not find other seas.&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;The city will follow you. You will roam the same&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;streets. And you will age in the same neighborhoods;&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;in these same houses you will grow gray.&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Always you will arrive in this city. To another land -- do not hope --&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;there is no ship for you, there is no road.&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;As you have ruined your life here&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;i&gt;in this little corner, you have destroyed it in the whole world.&lt;/i&gt;&lt;/blockquote&gt;&lt;/i&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;em&gt;Constantine P. Cavafy (1910)&lt;/em&gt;&amp;nbsp;&amp;nbsp;[&amp;nbsp;&lt;a href="http://users.hol.gr/~barbanis/cavafy/city-gr.html"&gt;Greek original&lt;/a&gt;&amp;nbsp;]&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-7658205803106605208?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/7658205803106605208/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/06/alexandria.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/7658205803106605208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/7658205803106605208'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/06/alexandria.html' title='Alexandria'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-2068272325841442210</id><published>2010-03-03T19:42:00.001-07:00</published><updated>2010-03-03T19:42:27.235-07:00</updated><title type='text'>2010 Municipal Election Results</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;embed name="Advertisement" type="application/x-shockwave-flash" src="http://ads.abqjournal.com/oads/www/images/0bd6af267d6c5020e148ce09914c3912.swf" flashvars="alink1=http%3A%2F%2Fads.abqjournal.com%2Foads%2Fwww%2Fdelivery%2Fck.php%3Foaparams%3D2__bannerid%3D1434__zoneid%3D5__cb%3D0d07b0b7b5__oadest%3Dhttp%253A%252F%252Fwww.albuquerqueemergencydental.com&amp;amp;atar1=_blank" allowscriptaccess="always" height="61" quality="high" width="500" style="" /&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.mvtelegraph.com/index.php/news/2665-municipal-election-results.html"&gt;mvtelegraph.com&lt;/a&gt;&lt;/div&gt; &lt;p&gt;Results courtesy of the Mountain View Telegraph, sweet, even if I looked for them last night. &lt;a href="http://www.mvtelegraph.com/index.php/news/2665-municipal-election-results.html"&gt;http://www.mvtelegraph.com/index.php/news/2665-municipal-election-results.html&lt;/a&gt;. See article remaining area election results. &lt;/p&gt;&lt;p&gt;Electioneering is over ~ time for candidates and voters to move on and work together to achieve all the worthy goals brought forth during the campaign.  &lt;/p&gt;&lt;p&gt;We should continue to remind them, don't you think?  Transparency in government, infrastructure upgrade, increased efficiency in delivering public services, training, community programs and events, youth, promoting locally owned small businesses, sustainability, tourism, recycling, green energy,&lt;/p&gt;&lt;/embed&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://vanessavaile.posterous.com/2010-municipal-election-results"&gt;Meanderings&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-2068272325841442210?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/2068272325841442210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/03/2010-municipal-election-results.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/2068272325841442210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/2068272325841442210'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/03/2010-municipal-election-results.html' title='2010 Municipal Election Results'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6980379604387963547.post-9156288811383648060</id><published>2010-02-22T20:54:00.000-07:00</published><updated>2010-02-22T20:54:20.791-07:00</updated><title type='text'>starting from the end</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_hKqri_-IJL0/S4NNcsbNLlI/AAAAAAAACLg/UnsAEURDcZM/s1600-h/park02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/_hKqri_-IJL0/S4NNcsbNLlI/AAAAAAAACLg/UnsAEURDcZM/s320/park02.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mountainair Community Park, on Cedar&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;Somewhere around here I probably have a picture of the house and/or yard. That would be the best start. &amp;nbsp;Maybe I can find it later. Until then, this view of Mountainair strikes me as somehow just as if not more representative of Mountainair's stalled Zeitgeist than Broadway (downtown). Who live on Broadway? It's the main drag that strangers drive through town on.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;This is probably the end point in the line of places I have lived, visited, passed through. Maybe not but it feels like it. So I'll start here because it is where I am now, then off to the races. From the beginning as best I can remember it. The ends will be easy enough. The middle parts messier, more easily muddled. The long stretch in south Louisiana between Germany and California are going to seem interminable. Pre-Lafayette doodlebugging chronology will be my best guess, along with the name of Texas townlets. &amp;nbsp;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;Next stop: Canton NY // perhaps Spokane &amp;amp; Walla Walla WA as well. Now to try for a picture of the Canton farmhouse.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6980379604387963547-9156288811383648060?l=placesalongtheway.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://placesalongtheway.blogspot.com/feeds/9156288811383648060/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://placesalongtheway.blogspot.com/2010/02/starting-from-end.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/9156288811383648060'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6980379604387963547/posts/default/9156288811383648060'/><link rel='alternate' type='text/html' href='http://placesalongtheway.blogspot.com/2010/02/starting-from-end.html' title='starting from the end'/><author><name>Vanessa Vaile</name><uri>http://www.blogger.com/profile/04647639725252430851</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://bp1.blogger.com/_hKqri_-IJL0/SA-5HlOWI0I/AAAAAAAAAp4/2LEUfsXsixI/S220/me-head04.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_hKqri_-IJL0/S4NNcsbNLlI/AAAAAAAACLg/UnsAEURDcZM/s72-c/park02.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
